On stage 6 productions, 32 years
| 1970 | Company Alvin Theatre · Original · directed by Harold Prince | 705 perf. |
| 1972 | A Celebration of Richard Rodgers Imperial Theatre · Original · directed by Donald Saddler | 1 perf. |
| 1972 | The Selling of the President Shubert Theatre · Original · directed by Robert H. Livingston | 5 perf. |
| 1973 | Sondheim: A Musical Tribute Shubert Theatre · Original · directed by Burt Shevelove | |
| 1993 | Company Vivian Beaumont Theater · Revival · directed by Harold Prince | 2 perf. |
| 2002 | Into the Woods Broadhurst Theatre · Revival · directed by James Lapine | 279 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Susan Browning | 3 productions |
| Steve Elmore | 3 productions |
| Beth Howland | 3 productions |
| Barbara Barrie | 3 productions |
| Teri Ralston | 2 productions |
| Stanley Grover | 2 productions |
| Merle Louise | 2 productions |
| Joy Franz | 2 productions |
| John McMartin | 2 productions |
| John Cunningham | 2 productions |
| George Coe | 2 productions |
| Elaine Stritch | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
Sunday in the Park with George
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- We were sold out, and it was so nice for me to see the people in the cast who I admire so much getting a barrage of love from the audience. Pamela Myers sang "Another Hundred People" from Company just like she did in 1970 — in the original key! The audience demanded that she take a second bow. Andrea McArdle sang that last verse of "Tomor…ebooks/Rudetsky, Seth/Seth's Broadway Diary, Volume 1_ Part 1 - Seth Rudetsky.txt
- McKechnie, Charles Braswell, ao ec uee_ Beth Howland, Pamela Myers, and Merle Louise opened April 26, 1 970theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
- GIFT OF THE MAGI with Bernadette LaBorne, Pamela Myers, Michael Hirsch, Richard Kevlin-Bell LONG DAY’S JOURNEY Dolores Kenan, Robertson Corteztheatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
- Rapunzel’s Prince.Christopher Sieber Granny .Pamela Myers Cinderella’s Prince.Gregg Edelman Steward .Trent Armand Kendall j-jorse.Jennifer Malenke Understudies: Mr. McMartin (Stephen Berger, Dennis Kelly); Mses.theatre-pdfs/Theatre World/Theatre World, 2001-02 Season, v. 58 (Willis).txt
- Kendall); Ms. O’Malley (Linda Mugleston, Amanda Naughton); Ms. Meyers (Linda Mugleston); Ms. Chapman (Jennifer Malenke); Ms. Burke (Linda Mugleston, Pamela Myers); Ms. Williams (Tracy Nicole Chapman, Linda Mugleston); Ms. Dye (Jennifer Malenke, Kate Reinders); Mr. Edelman (Adam Brazier, Christopher Sieber); Mr. Kendall (Stephen Berger, Ad…theatre-pdfs/Theatre World/Theatre World, 2001-02 Season, v. 58 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.