Theatre Register

Jack Gilford

Shows · Jack Gilford

Actor 1907–1990 On stage 19401987

Jack Gilford (born Jacob Aaron Gellman; July 25, 1908 – June 4, 1990) was an American Broadway, film, and television actor. He was nominated for the Academy Award for Best Supporting Actor for Save the Tiger (1973).

On stage 19 productions, 47 years

1940 Meet the People Mansfield Theatre · Original 160 perf.
1942 They Should Have Stood in Bed Mansfield Theatre · Original · directed by Luther Adler 11 perf.
1950 Alive and Kicking Winter Garden Theatre · Original · directed by Robert H. Gordon 46 perf.
1950 The Live Wire Playhouse Theatre · Original 28 perf.
1955 The Diary of Anne Frank Cort Theatre · Original · directed by Garson Kanin 717 perf.
1957 Romanoff and Juliet Plymouth Theatre · Original · directed by George S. Kaufman 389 perf.
1958 Drink to Me Only 54th Street Theatre · Original · directed by George Abbott 77 perf.
1959 Look After Lulu Henry Millers Theatre · Original · directed by Cyril Ritchard 39 perf.
1959 Once Upon A Mattress Phoenix Theater · Original · directed by George Abbott 460 perf.
1959 The Tenth Man Booth Theatre · Original · directed by Tyrone Guthrie 623 perf.
1962 A Funny Thing Happened on the Way to the Forum Alvin Theatre · Original · directed by George Abbott 964 perf.
1966 Cabaret Broadhurst Theatre · Original · directed by Harold Prince 1,165 perf.
1969 Three Men on a Horse Lyceum Theatre · Revival 100 perf.
1971 No, No, Nanette 46th Street Theatre · Revival · directed by Busby Berkeley 861 perf.
1972 The Sunshine Boys Broadhurst Theatre · Original · directed by Alan Arkin 538 perf.
1976 Sly Fox Broadhurst Theatre · Original · directed by Arthur Penn 495 perf.
1981 The Supporting Cast Biltmore Theatre · Original · directed by Gene Saks 36 perf.
1982 The World of Sholom Aleichem Rialto Theatre · Original · directed by Milton Moss 21 perf.
1987 Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt 1 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Lou Jacobi 3 productions
Tom Poston 2 productions
Sam Levene 2 productions
Mary Stanton 2 productions
Larry Kert 2 productions
Jack Albertson 2 productions
Harry Snow 2 productions
Hal Linden 2 productions
Gwen Verdon 2 productions
George Voskovec 2 productions
Dorothy Loudon 2 productions
David Evans 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

A Funny Thing Happened on the Way to the Forum

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Studio cast (1989) : Kim Criswell, Cris Groenendaal, Jack Gilford, Frederica von Stade, John McGlinn (conductor). EMI/Angel CDC 7–49848–2.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
  • Cast : David Burns, Lenore Lonergan, Jack Gilford, Carl Reiner, Jack Cole, Bobby Van, Dolores Starr, Rae Abruzzo, Margaret Baxter, June Brady, Patricia Bybell, Madelaine Chambers, Fay de Witt, Margery Oldroyd, Laurel Shelby, Louise Kirtland, Sylvia Chaney, Jean Bal, Bryn Corey, Jack Cassidy, Arthur Maxwell, Sam Kirkham, Graham Lee, Ray St…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Besides cast members David Burns, Jack Gilford, Carl Reiner, Gwen Verdon, and Cole himself, there were a number of other interesting names in the revue, including featured player Bobby Van, chorus singer Jack Cassidy, and child performer Rex Thompson, who later played the role of Louis Leonowens in the 1956 film version of The King and I…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • An Off-Broadway revival opened at the New Anderson Theatre on March 7, 1969, for twenty-one performances, and a 1972 CBS adaptation was televised (and recorded) with Carroll O’Connor (Wintergreen), Jack Gilford (Throttlebottom), Cloris Leachman (Mary), and Michele Lee (Diana). On March 18, 1987, concert versions of Of Thee I Sing and Let…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • When the musical opened Off-Broadway, Jack Gilford played the King and Matt Mattox was the Jester; for Broadway, their roles were assumed by Will Lee and Jerry Newby. During Off-Broadway previews, the song “Up and Away” (for Harry Snow and Mattox) was dropped. “Yesterday I Loved You” had first been heard in the summer-stock revue Walk Tal…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • MERLE DEBUSKEY: Back in 1953 Jack Gilford, along with some others who were blacklisted, including Howard Da Silva, Morris Carnovsky, and Ruby Dee, put on The World of Sholem Aleichem written by Arnold Perl. They wanted to demonstrate that the blacklist need not kill you as an artist.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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