Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Best of all, the score, composed by Leroy Anderson to lyrics by Joan Ford and the Kerrs, is delightful. It is not the kind that throws off hit tunes, perhaps because Anderson's forte was the orchestral novelty piece, often with a gimmick, such as "Blue Tango" (with a prominent flatted, or "blue" note), "The Syncopated Clock," "Bugler's Ho…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
- GOLDILOCKS Music, Leroy Anderson; Lyrics, Walter Kerr, Joan Ford, Jean Kerr; Book, Walter and Jean Kerr; Director/Choreography, Thomas Mills; Music Director, Mark Hartman; Lighting, Rita Riddockl; Casting, Stephen DeAngelis; Stage Manager, Anthony Gallucio Cast: Georgia Vreighton (Bessie), Matthew Ellison (Pete), Gene Jones (J.C.), Jay Go…theatre-pdfs/Theatre World/Theatre World, 2000-01 Season, v. 57 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.