On stage 3 productions, 17 years
| 1934 | Roll, Sweet Chariot Cort Theatre · Original · directed by Emjo Basshe | 7 perf. |
| 1951 | A Tree Grows in Brooklyn Alvin Theatre · Original · directed by George Abbott | 270 perf. |
| 1951 | A Tree Grows in Brooklyn “A New Musical” Alvin Theatre · Original · directed by George Abbott | 270 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| William Carson | 2 productions |
| Val Buttignol | 2 productions |
| Terry Castagna | 2 productions |
| Shirley Booth | 2 productions |
| Ruth Amos | 2 productions |
| Roland Wood | 2 productions |
| Patti Milligan | 2 productions |
| Nomi Mitty | 2 productions |
| Nathaniel Frey | 2 productions |
| Mary Statz | 2 productions |
| Marta Becket | 2 productions |
| Marc West | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 4 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature6 passages
- Act One: “Payday” (Company); “Mine Til’ Monday” (Johnny Johnston, Dody Heath, Company); “Mine Til’ Monday” (reprise) (Jordan Bentley, Dody Heath, Lou Wills Jr., Joe Calvan, Billy Parsons); “Make the Man Love Me” (Marcia Van Dyke, Johnny Johnston); “I’m Like a New Broom” (Johnny Johnston, Friends); “I’m Like a New Broom” (reprise) (Johnny…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “That’s How It Goes” (Harland Dixon, Patti Milligan, Janet Parker, Company); “He Had Refinement” (Shirley Booth); “Growing Pains” (Johnny Johnston, Nomi Mitty); “Is That My Prince?” (Shirley Booth, Albert Linville); “Halloween” (dance) (Johnny Johnston, Lou Wills Jr., Joe Calvan, Billy Parsons, Children, Singers, Dancers); “Don’t…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Shirley Booth, Johnny Johnston, Marcia Van Dyke, Nomi Mitty, Nathaniel Frey, Harland Dixon, Lou Wills Jr.ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- . . . First, Dance as Narrative, in A Tree Grows in Brooklyn. Right , Lou Wills Jr. and bordello girls haunt cowering Johnny Johnston on Halloween. (Choreography by Herbert Ross.) Below , more Goldilocks in a Dream Ballet by Agnes de Mille: Pat Stanley separates Princesses from Prince Charmings in “Lady in Waiting,” because she wants a hu…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- The rest of the cast was of no great eclat: Johnny Johnston as Johnny (a sharp agent, or something, got him top billing with Booth), Marcia Van Dyke as Katie, musical comedy regular Nathaniel Frey as Oscar, and Nomi Mitty as Francie, with a fine veteran of the past, Harland Dixon, a dancing comic prominent in the 1920s, as the old-clothes…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
- JOHNNY JOHNSTON, 81, St-Louis-born singer/actor, died Jan.6, 1996. Known mostly as a singer, he was the male lead in the Bdwy musical A Tree Grows in Brooklyn. GEORGEtheatre-pdfs/Theatre World/Theatre World, 1995-96 Season, v.52 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.