Theatre Register

Jordan Bentley

Shows · Jordan Bentley

ActorOn stage 19471957

On stage 5 productions, 10 years

1947 Brigadoon Ziegfeld Theatre · Original · directed by Robert Lewis 581 perf.
1951 A Tree Grows in Brooklyn Alvin Theatre · Original · directed by George Abbott 270 perf.
1951 A Tree Grows in Brooklyn “A New Musical” Alvin Theatre · Original · directed by George Abbott 270 perf.
1953 Wonderful Town Winter Garden Theatre · Original · directed by George Abbott (Jerome Robbins uncredited) 559 perf.
1957 The Tunnel of Love Royale Theatre · Original 417 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Delbert Anderson 4 productions
Nathaniel Frey 3 productions
Marta Becket 3 productions
Jeanne Grant 3 productions
Dorothy Hill 3 productions
Doris Wright 3 productions
Albert Linville 3 productions
William Carson 2 productions
Val Buttignol 2 productions
Terry Castagna 2 productions
Shirley Booth 2 productions
Ruth Amos 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any biography.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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