On stage 29 productions, 46 years
| 1918 | A Woman's Honor Greenwich Village Theatre · Original | |
| 1918 | Karen Greenwich Village Theatre · Original · directed by Frank Conroy | 80 perf. |
| 1918 | Pan and the Young Shepherd Greenwich Village Theatre · Original | 32 perf. |
| 1919 | The Lost Leader Greenwich Village Theatre · Original | 31 perf. |
| 1923 | Saint Joan Garrick Theatre · Original | 195 perf. |
| 1923 | The Magic Ring Liberty Theatre · Original · directed by Ira Hards | 96 perf. |
| 1925 | A Bit of Love 48th Street Theatre · Original · directed by Robert Milton | 4 perf. |
| 1925 | Don't Bother Mother Little Theatre · Original | 2 perf. |
| 1926 | The Wild Rose Martin Beck Theatre · Revival · directed by William J. Wilson | 61 perf. |
| 1927 | Patience Theatre Masque · Revival · directed by Robert Milton | 16 perf. |
| 1927 | Rapid Transit Provincetown Playhouse · Original · directed by James Light | 20 perf. |
| 1928 | The Three Musketeers Lyric Theatre · Revival · directed by William Anthony McGuire, Richard Boleslawsky | 318 perf. |
| 1930 | Luana Hammersteins Theatre · Original · directed by Earl Lindsey | 21 perf. |
| 1931 | H.M.S. Pinafore Erlangers Theatre · Revival · directed by Milton Aborn | 17 perf. |
| 1931 | Iolanthe Erlangers Theatre · Revival · directed by Milton Aborn | 24 perf. |
| 1931 | Patience Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1931 | The Gondoliers Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1931 | Trial by Jury & H.M.S. Pinafore Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1933 | Champagne, Sec Morosco Theatre · Original · directed by Monty Woolley | 113 perf. |
| 1934 | Revenge With Music New Amsterdam Theatre · Original · directed by Hassard Short, Komisarjevsky | 158 perf. |
| 1937 | I’d Rather Be Right Alvin Theatre · Original · directed by George S. Kaufman | 290 perf. |
| 1937 | The Eternal Road Manhattan Opera House · Original · directed by Max Reinhardt | 153 perf. |
| 1938 | Great Lady Majestic Theatre · Original · directed by William Dollar | 20 perf. |
| 1941 | Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor | 547 perf. |
| 1949 | The Mikado Mark Hellinger Theatre · Revival | 8 perf. |
| 1952 | Much Ado About Nothing Music Box Theatre · Revival · directed by Antony Eustrel | 4 perf. |
| 1952 | The Mikado Mark Hellinger Theatre · Revival | 8 perf. |
| 1952 | The Pirates Of Penzance Mark Hellinger Theatre · Revival | 8 perf. |
| 1964 | Funny Girl Winter Garden Theatre · Original · directed by Jerome Robbins, Garson Kanin | 1,348 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Rosa Rubenstein | 5 productions |
| Patricia Clark | 5 productions |
| Olga Schumacher | 5 productions |
| Martin Lilienfield | 5 productions |
| Mabel Thompson | 5 productions |
| Isabel Norwood | 5 productions |
| Howard Marsh | 5 productions |
| Hobson Young | 5 productions |
| Gertrude Waldon | 5 productions |
| Frank Murray | 5 productions |
| Frank Moulan | 5 productions |
| Frank Dowling | 5 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Dennis King, Vivienne Segal, Lester Allen, Vivienne Osborne, Yvonne D’Arle, Reginald Owen, Joseph Macaulay, Harriet Hoctor, Douglass Dumbrille, Detmar Poppen, Clarence Derwentebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Barbra Streisand, Sydney Chaplin, Kay Medford, Danny Meehan, Jean Stapleton, Roger DeKoven, Joseph Macaulay, Lainie Kazan, Buzz Miller, George Reeder, Larry Fullerebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- (Deacon and Electrician), and Jimmy Durante (Somber Eyes and Snozzle, the Property Man), featured Joseph Macaulay (Alvarez Romano), Barbara Newberry (Virginia Witherby and Sunshine), Eddie Foy, Jr. (Denny), Kathryn Hereford (Bobby), Frank McHugh (Jimmy), Doris Carson (Raquel), Blaine Cordner (Steve), Austin Fairman (John Milton), Noel Fra…theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- LOLITA, MY LOVE Introduced by Joseph Macaulay (Alvarez). Dropped within three weeks of the New York opening. Alternate title: “Lolita.”theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- HOME BLUES Introduced by Joseph Macaulay (Alvarez). The music for the refrain is based on the famous blues theme of the tone poem An American in Paris. The music to thetheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- partnered her in the number. By July 22, Jimmy Durante had taken over for Lucas. Then it was Joseph Macaulay (Alvarez Romano), Doris Carson (who had replaced Keeler), and the girls. In the final weeks of the run, “Liza’’ was performed thy Stone.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.