Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Seventeen was the only Broadway score by the team of Kim Gannon and Walter Kent. The musical didn’t produce any popular standards, but they wrote one of the most enduring of all holiday songs with their sweet and poignant “I’ll Be Home for Christmas.”ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Sadly, Benson left out a lot of this. She re-stereotyped Tarking ton-and the score, by Kim Gannon and Walter Kent, is a tuneful collection of songs that reinforces the stereotype. The senior Bax- ters were completely betrayed by "A Headache and a Heartache," a limp generation-war piece, and George Crooper got to sing "Ooo-ooo-ooo What You…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.