On stage 6 productions, 37 years
| 1947 | Allegro Majestic Theatre · Original · directed by Agnes de Mille (Oscar Hammerstein II uncredited) | 315 perf. |
| 1948 | Kiss Me, Kate New Century Theatre · Original · directed by John C. Wilson | 1,077 perf. |
| 1963 | Here’s Love Shubert Theatre · Original · directed by Stuart Ostrow | 334 perf. |
| 1974 | Mack & Mabel Majestic Theatre · Original · directed by Gower Champion | 66 perf. |
| 1976 | Me Jack, You Jill John Golden Theatre · Original · directed by Harold J. Kennedy | |
| 1984 | Design For Living Circle In The Square Theatre · Revival · directed by George C. Scott | 245 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Jean Tachau | 2 productions |
| Jean Houloose | 2 productions |
| Gay Laurence | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Original cast (1949) : Alfred Drake, Patricia Morison, Lisa Kirk, Harold Lang, Lorenzo Fuller, Harry Clark, and Jack Diamond, Pembroke Davenport (conductor). Columbia S 32609; reissued on Time-Life P 15602 (S), set STL AM02 with Anything Goes and Can-Can (set title, Cole Porter ). Missing: “I Sing of Love,” “Act I Finale,” and some dance…ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Original cast (1959) : Alfred Drake, Patricia Morison, Lisa Kirk, Harold Lang, Lorenzo Fuller, Pembroke Davenport (conductor). Capitol STAO 126. Contents same as Original cast 1949.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- The featured performers remained unchanged: Lisa Kirk (Allegro, Kiss Me, Kate) as Lottie Ames, a vaudeville chanteuse who advances from Sennett’s troupe to talkies, and James Mitchell as director-playboy William Desmond Taylor, Mabel’s faithless lover. Supporting players included Jerry Dodge as screenwriter Frank Wyman (a takeoff on young…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
- Cast: John Battles, Annamary Dickey, William Ching, John Conte, Muriel O’Malley, Lisa Kirk, Roberta Jonayebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- IA sign with the names of all the famous Manta RosesMerman, Roz, Lisa Kirk, Angela, Tyne, Bette, and Betty Buckley - is lowered from the flies. The lights on the sign flash angrily. BERNADETTE turns around and looks horrified.]ebooks/Portantiere, Gerard Alessandrini;Michael/B0030EGEYY EBOK - Gerard Alessandrini;Michael Portantiere.txt
- During the second act, Lisa Kirk, who would be making her Broadway debut playing Dr. Taylor’s faithful nurse, Emily, was singing “The Gentleman Is a Dope.” “The costume designer had decided she should wear a nurse’s white shoes, but they had high heels. So as she stepped forward and got to the moment in the song, ‘He’s somebody else’s pro…ebooks/Secrest, Meryle/Stephen Sondheim - Meryle Secrest.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.