On stage 10 productions, 18 years
| 1915 | Around the Map New Amsterdam Theatre · Original · directed by Herbert Gresham | 104 perf. |
| 1918 | Fiddlers Three Cort Theatre · Original · directed by Clifford Brooke | 87 perf. |
| 1918 | Toot-Toot! George M Cohans Theatre · Original · directed by Edward Rose | 40 perf. |
| 1920 | The Night Boat Liberty Theatre · Original · directed by Fred G. Latham | 313 perf. |
| 1921 | Good Morning Dearie Globe Theatre · Original · directed by Edward Royce | 347 perf. |
| 1923 | One Kiss Fulton Theatre · Original · directed by Fred G. Latham | 95 perf. |
| 1925 | No, No, Nanette Globe Theatre · Original · directed by H. H. Frazee | 321 perf. |
| 1927 | Hit The Deck! Belasco Theatre · Original · directed by Alexander Leftwich | 352 perf. |
| 1932 | The Metropolitan Players Chanin Auditorium · Revival | 5 perf. |
| 1933 | A Church Mouse Mansfield Theatre · Revival · directed by Robert Lively | 9 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Raymond Moore | 3 productions |
| Daniel Sparks | 3 productions |
| Adah Lewis | 3 productions |
| William Bailey | 2 productions |
| Pauline Hall | 2 productions |
| Oscar Shaw | 2 productions |
| Mildred Sinclair | 2 productions |
| Lydia Scott | 2 productions |
| Lillian Mackenzie | 2 productions |
| Josephine Whittell | 2 productions |
| John Price Jones | 2 productions |
| John E. Hazzard | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Louise Groody, Charles Winninger, Josephine Whittell, Wellington Cross, Eleanor Dawn, Georgia O’Ramey, Mary Lawlor, John Barkerebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Louise Groody, Charles King, Stella Mayhew, Madeline Cameron, Brian Donlevy, Jack McCauleyebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Morning Dearie” with Louise Groody and Oscar Shaw; and “The O’Brien Girl” with Elizabeth Hines. Among the revues, the “Ziegfeld Follies of 1921” cast included Raymond Hitchcock, Fannie Brice, W. C. Fields, Ray Dooley, Vera Michelena and Mary Eaton; “George White’s Scandals” had Ann Pennington, Charles King, Lester Allen and Aunt Jemima; “…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- King, Louise Groody and Stella Mayhew, “The Five O’Clock Girl” with Mary Eaton and Oscar Shaw, and “A Connecticut Yankee”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- No, No, Nanette, with (1. to r.) Louise Groody as Nanette, Charles Winninger as Jimmy Smith, Wellington Cross as Billy Early, and Josephine Whittell as Lucille. New York, Globe Theatre, 1925 [Culver Pictures]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 3 (I-N).txt
- Started Something” with an entirely new lyric (“I’m Waiting for You,” by Otto Harbach). It was sung in No, No, Nanette by Louise Groody (Nanette) and Jack Barker (Tom). As “Waiting for You,” it was sung in the 1971 Broadway revival of Nanette by Susan Watson and Roger Rathburn.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.