Theatre Register

Oscar Shaw

Shows · Oscar Shaw

Actor 1887–1967 On stage 19151941

Oscar Shaw (born Oscar Schwartz; October 11, 1887 – March 6, 1967) was an American stage and screen actor and singer, best known for his role as Bob Adams in the first film starring the Marx Brothers, The Cocoanuts (1929). He was born in Philadelphia, Pennsylvania. United States census records show that Shaw was already working as a stage actor in 1910, while still living with his mother, brother, and stepfather. In 1913, Shaw married Mary Louise Givler (a native of Carlisle, Pennsylvania), in England, where they both appeared in a show called the "First American Ragtime Review" at the London Opera House. The couple lived in the Village of Great Neck Estates until 1937, when they moved to th…

On stage 14 productions, 26 years

1915 Very Good Eddie Princess Theatre · Original · directed by Frank Sadler 341 perf.
1917 Leave It to Jane Longacre Theatre · Original · directed by Edward Royce 167 perf.
1920 The Half Moon Liberty Theatre · Original · directed by Fred G. Latham 48 perf.
1921 Good Morning Dearie Globe Theatre · Original · directed by Edward Royce 347 perf.
1921 Two Little Girls in Blue George M Cohans Theatre · Original · directed by Ned Wayburn 135 perf.
1921 Ziegfeld 9 O'clock Frolic Danse De Follies · Original · directed by Edward Royce 35 perf.
1923 One Kiss Fulton Theatre · Original · directed by Fred G. Latham 95 perf.
1924 Dear Sir Times Square Theatre · Original · directed by David Burton 15 perf.
1924 Music Box Revue [1924] Music Box Theatre · Original · directed by John Murray Anderson 184 perf.
1926 Oh, Kay! Imperial Theatre · Original · directed by John Harwood 256 perf.
1930 Flying High Apollo Theatre · Original · directed by George White, Edward Clark Lilley 357 perf.
1931 Everybody's Welcome Shubert Theatre · Original · directed by William Mollison 139 perf.
1935 A Lady Detained Ambassador Theatre · Original · directed by Clifford Brooke 13 perf.
1941 Pie in the Sky Playhouse Theatre · Original · directed by Edgar MacGregor 6 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Adah Lewis 3 productions
Tess Mayer 2 productions
Pauline Hall 2 productions
Otis Harper 2 productions
Olin Howland 2 productions
Marion Fairbanks 2 productions
Madeleine Fairbanks 2 productions
Louise Groody 2 productions
Kathlene Martyn 2 productions
John Price Jones 2 productions
Jane Carroll 2 productions
Ida Berry 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

The Cocoanuts

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Cast: Ernest Truex, Alice Dovey, Oscar Shaw, Helen Raymond, John E. Hazzard, John Willard, Ada Lewisebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Cast: Gertrude Lawrence, Oscar Shaw, Victor Moore, Harland Dixon, Fairbanks Twins, Gerald Oliver Smith, Betty Compton, Constance Carpenterebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Cast: Bert Lahr, Oscar Shaw, Kate Smith, Grace Brinkley, Russ Brown, Pearl Osgoodebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • More than any other performer, Oscar Shaw, the handsome leading man of the 1924 revue, appeared with Moore in duets. One duet added in 1925 for that show’s tour marks the most enduring Berlin melody of their collaboration: “All Alone.” On one side of the stage stood the suave Shaw in a black dinner jacket; on the other side stood the char…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
  • Lilyan Tashman and Peggy Hopkins (Joyce was added later), “Leave It To Jane” with Oscar Shaw and Georgia O’Ramey, “Rambler Rose” starring Julia Sanderson and Joseph Cawthorn, “The Riviera Girl” with Juliette Day, Wilda Bennett and Sam B.theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
  • Morning Dearie” with Louise Groody and Oscar Shaw; and “The O’Brien Girl” with Elizabeth Hines. Among the revues, the “Ziegfeld Follies of 1921” cast included Raymond Hitchcock, Fannie Brice, W. C. Fields, Ray Dooley, Vera Michelena and Mary Eaton; “George White’s Scandals” had Ann Pennington, Charles King, Lester Allen and Aunt Jemima; “…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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