On stage 44 productions, 40 years
| 1922 | The God of Vengeance Provincetown Playhouse · Original · directed by Rudolph Schildkraut | 133 perf. |
| 1923 | Saint Joan Garrick Theatre · Original | 195 perf. |
| 1923 | The Failures Garrick Theatre · Original | 40 perf. |
| 1926 | Juarez and Maximilian Guild Theatre · Original · directed by Philip Moeller | 48 perf. |
| 1926 | Ned McCobb's Daughter John Golden Theatre · Original · directed by Philip Moeller | 156 perf. |
| 1927 | Right You Are If You Think You Are Guild Theatre · Original · directed by Philip Moeller | 48 perf. |
| 1927 | The Brothers Karamazov Guild Theatre · Original · directed by Philip Moeller | 56 perf. |
| 1927 | The Doctor's Dilemma Guild Theatre · Revival · directed by Dudley Digges | 115 perf. |
| 1928 | Marco Millions Guild Theatre · Original · directed by Rouben Mamoulian | 92 perf. |
| 1928 | Volpone Guild Theatre · Original · directed by Philip Moeller | 46 perf. |
| 1929 | The Camel Through the Needle's Eye Martin Beck Theatre · Original | 196 perf. |
| 1929 | Uncle Vanya Morosco Theatre · Revival | 2 perf. |
| 1930 | Elizabeth the Queen Guild Theatre · Original · directed by Philip Moeller | 147 perf. |
| 1930 | Hotel Universe Martin Beck Theatre · Original · directed by Philip Moeller | 81 perf. |
| 1930 | The Apple Cart Martin Beck Theatre · Original · directed by Philip Moeller | 88 perf. |
| 1931 | 1931- Mansfield Theatre · Original · directed by Lee Strasberg | 12 perf. |
| 1931 | The House of Connelly Martin Beck Theatre · Original · directed by Lee Strasberg | 91 perf. |
| 1932 | Night Over Taos 48th Street Theatre · Original · directed by Lee Strasberg | 13 perf. |
| 1932 | Success Story Maxine Elliotts Theatre · Original · directed by Lee Strasberg | 121 perf. |
| 1933 | Both Your Houses Royale Theatre · Original · directed by Worthington Miner | 72 perf. |
| 1933 | Men in White Broadhurst Theatre · Original · directed by Lee Strasberg | 351 perf. |
| 1934 | Gentlewoman Cort Theatre · Original · directed by Lee Strasberg | 12 perf. |
| 1934 | Gold Eagle Guy Morosco Theatre · Original · directed by Lee Strasberg | 65 perf. |
| 1935 | Awake and Sing! Belasco Theatre · Original · directed by Harold Clurman | 184 perf. |
| 1935 | Paradise Lost Longacre Theatre · Original · directed by Harold Clurman | 73 perf. |
| 1936 | Johnny Johnson 44th Street Theatre · Original · directed by Lee Strasberg | 68 perf. |
| 1937 | Golden Boy Belasco Theatre · Original · directed by Harold Clurman | 250 perf. |
| 1938 | Rocket to the Moon Belasco Theatre · Original · directed by Harold Clurman | 131 perf. |
| 1939 | Thunder Rock Mansfield Theatre · Original · directed by Elia Kazan | 23 perf. |
| 1940 | My Sister Eileen Biltmore Theatre · Original · directed by George S. Kaufman | 864 perf. |
| 1940 | Night Music Broadhurst Theatre · Original · directed by Harold Clurman | 20 perf. |
| 1940 | Suzanna and the Elders Morosco Theatre · Original · directed by Worthington Miner | 30 perf. |
| 1942 | Cafe Crown Theatre not recorded · Original | 141 perf. |
| 1943 | Counterattack Windsor Theatre · Original · directed by Margaret Webster | 85 perf. |
| 1948 | Joy to the World Plymouth Theatre · Original · directed by Jules Dassin | 124 perf. |
| 1950 | An Enemy of the People Broadhurst Theatre · Revival · directed by Robert Lewis | 36 perf. |
| 1955 | Tiger at the Gates Plymouth Theatre · Original · directed by Harold Clurman | 217 perf. |
| 1956 | The Lovers Martin Beck Theatre · Original · directed by Michael Gordon | 4 perf. |
| 1957 | Measure for Measure Phoenix Theatre · Original · directed by John Houseman | 32 perf. |
| 1957 | Nude With Violin Belasco Theatre · Original | 86 perf. |
| 1957 | The Taming of the Shrew Phoenix Theatre · Revival · directed by Norman Lloyd | 23 perf. |
| 1958 | The Cold Wind and the Warm Morosco Theatre · Original · directed by Harold Clurman | 120 perf. |
| 1961 | Rhinoceros Longacre Theatre · Original · directed by Joseph Anthony | 240 perf. |
| 1962 | A Family Affair Billy Rose Theatre · Revival · directed by Harold Prince | 65 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Sanford Meisner | 14 productions |
| Art Smith | 13 productions |
| William Challee | 10 productions |
| Ruth Nelson | 10 productions |
| Luther Adler | 10 productions |
| Roman Bohnen | 9 productions |
| Phoebe Brand | 9 productions |
| Stella Adler | 8 productions |
| Philip Leigh | 8 productions |
| Henry Travers | 8 productions |
| Walter Coy | 7 productions |
| Lewis Leverett | 7 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.