On stage 13 productions, 46 years
| 1941 | Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor | 547 perf. |
| 1942 | By Jupiter Shubert Theatre · Original · directed by Joshua Logan | 427 perf. |
| 1943 | My Dear Public 46th Street Theatre · Original · directed by Felicia Sorel | 45 perf. |
| 1944 | Bloomer Girl Shubert Theatre · Original · directed by E. Y. Harburg, William Schorr | 654 perf. |
| 1944 | Jackpot Alvin Theatre · Original · directed by Lauretta Jefferson | 69 perf. |
| 1947 | Bloomer Girl City Center · Revival · directed by William Schorr | 48 perf. |
| 1947 | High Button Shoes New Century Theatre · Original · directed by George Abbott | 727 perf. |
| 1948 | Love Life 46th Street Theatre · Original · directed by Elia Kazan | 252 perf. |
| 1950 | Arms and the Girl 46th Street Theatre · Revival · directed by Rouben Mamoulian | 134 perf. |
| 1951 | Make A Wish Winter Garden Theatre · Original · directed by John C. Wilson | 102 perf. |
| 1962 | Mr. President St. James Theatre · Original · directed by Joshua Logan | 265 perf. |
| 1973 | No Hard Feelings Martin Beck Theatre · Original · directed by Abe Burrows | 1 perf. |
| 1987 | Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Holly Harris | 3 productions |
| Arthur Partington | 3 productions |
| Zynaid Spencer | 2 productions |
| Toni Stuart | 2 productions |
| Sue Scott | 2 productions |
| Renee Russell | 2 productions |
| Ray Cook | 2 productions |
| Phyllis Gehrig | 2 productions |
| Olive Reeves Smith | 2 productions |
| Matt Briggs | 2 productions |
| Mark Dawson | 2 productions |
| Marion Harvey | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on5 works
George White’s Scandals
Let’s Face It
Oh, Kay!
The Band Wagon
Ziegfeld Follies
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Act One : “A Girl with a Flame” (Nanette Fabray); “That’s What I Told Him Last Night” (Florence Ames, Girls); “I Like It Here” (Georges Guetary); “That’s My Fella” (Nanette Fabray); “That’s My Fella” Dance (Arthur Partington and Barbara McCutcheon; First Two Couples: Fern Whitney, Maria Harrington, William Inglis, Edward Balin; Whittier a…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two : “Don’t Talk” (reprise) (John Conte); “I’ll Never Learn” (Nanette Fabray, Georges Guetary); “There Must Be Something Better Than Love” (Pearl Bailey); “She’s Exciting” (Georges Guetary); “Mister Washington! Uncle George” (Boys and Girls); “A Cow and a Plough and a Frau” (reprise) (Nanette Fabray, Georges Guetary)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Nanette Fabray was the leading lady in a number of musicals, including the long-running hit High Button Shoes (1947), in which she was decidedly second to Phil Silvers’s top banana. She never created a classic leading role in a hit show, and so while Ethel Merman is forever Annie Oakley and Mama Rose; Mary Martin is Nellie Forbush and Pet…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Despite the musical’s short Broadway run, Nanette Fabray, Georges Guetary, and Pearl Bailey left the production before the musical closed and were respectively succeeded by Mary O’Fallon, John Tyers, and Dolores Martin.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : Eda Heinemann (Dr. Didier), Phil Leeds (Dr. Francel), Nanette Fabray (Janette), Harold Lang (Ricky), Helen Gallagher (Poupette), Howard Wendell (Policeman, Sales Manager), Melville Cooper (Marius Frigo), Stephen Douglass (Paul Dumont), Mary Finney (The Madam), Le Roi Operti (Felix Labiche); The Sylvia Manon Trio; Singers: Mary Hami…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “The Tour Must Go On” (Dean Campbell, Boys, Girls); “I Wanna Be Good ’n’ Bad” (Nanette Fabray, Girls); “The Time Step” (Nanette Fabray, Helen Gallagher, Harold Lang); “What I Was Warned About” (Nanette Fabray); “Who Gives a Sou?” (Nanette Fabray, Stephen Douglass, Helen Gallagher, Harold Lang); “Folies Labiche Overture” (aka “Hel…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.