Theatre Register

Nanette Fabray

Shows · Nanette Fabray

Actor 1920–2018 On stage 19411987

Nanette Fabray (born Ruby Bernadette Nanette Theresa Fabares; October 27, 1920 – February 22, 2018) was an American actress, singer and dancer. She began her career performing in vaudeville as a child and became a musical-theatre actress during the 1940s and 1950s, acclaimed for her role in High Button Shoes (1947) and winning a Tony Award in 1949 for her performance in Love Life. In the mid-1950s, she served as Sid Caesar's comic partner on Caesar's Hour, for which she won three Emmy Awards, and appeared with Fred Astaire in the film musical The Band Wagon. From 1979 to 1984, she played Katherine Romano, the mother of lead character Ann Romano, on the TV series One Day at a Time. She also a…

On stage 13 productions, 46 years

1941 Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor 547 perf.
1942 By Jupiter Shubert Theatre · Original · directed by Joshua Logan 427 perf.
1943 My Dear Public 46th Street Theatre · Original · directed by Felicia Sorel 45 perf.
1944 Bloomer Girl Shubert Theatre · Original · directed by E. Y. Harburg, William Schorr 654 perf.
1944 Jackpot Alvin Theatre · Original · directed by Lauretta Jefferson 69 perf.
1947 Bloomer Girl City Center · Revival · directed by William Schorr 48 perf.
1947 High Button Shoes New Century Theatre · Original · directed by George Abbott 727 perf.
1948 Love Life 46th Street Theatre · Original · directed by Elia Kazan 252 perf.
1950 Arms and the Girl 46th Street Theatre · Revival · directed by Rouben Mamoulian 134 perf.
1951 Make A Wish Winter Garden Theatre · Original · directed by John C. Wilson 102 perf.
1962 Mr. President St. James Theatre · Original · directed by Joshua Logan 265 perf.
1973 No Hard Feelings Martin Beck Theatre · Original · directed by Abe Burrows 1 perf.
1987 Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt 1 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Holly Harris 3 productions
Arthur Partington 3 productions
Zynaid Spencer 2 productions
Toni Stuart 2 productions
Sue Scott 2 productions
Renee Russell 2 productions
Ray Cook 2 productions
Phyllis Gehrig 2 productions
Olive Reeves Smith 2 productions
Matt Briggs 2 productions
Mark Dawson 2 productions
Marion Harvey 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on5 works

George White’s Scandals
Let’s Face It
Oh, Kay!
The Band Wagon
Ziegfeld Follies

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Act One : “A Girl with a Flame” (Nanette Fabray); “That’s What I Told Him Last Night” (Florence Ames, Girls); “I Like It Here” (Georges Guetary); “That’s My Fella” (Nanette Fabray); “That’s My Fella” Dance (Arthur Partington and Barbara McCutcheon; First Two Couples: Fern Whitney, Maria Harrington, William Inglis, Edward Balin; Whittier a…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act Two : “Don’t Talk” (reprise) (John Conte); “I’ll Never Learn” (Nanette Fabray, Georges Guetary); “There Must Be Something Better Than Love” (Pearl Bailey); “She’s Exciting” (Georges Guetary); “Mister Washington! Uncle George” (Boys and Girls); “A Cow and a Plough and a Frau” (reprise) (Nanette Fabray, Georges Guetary)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Nanette Fabray was the leading lady in a number of musicals, including the long-running hit High Button Shoes (1947), in which she was decidedly second to Phil Silvers’s top banana. She never created a classic leading role in a hit show, and so while Ethel Merman is forever Annie Oakley and Mama Rose; Mary Martin is Nellie Forbush and Pet…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Despite the musical’s short Broadway run, Nanette Fabray, Georges Guetary, and Pearl Bailey left the production before the musical closed and were respectively succeeded by Mary O’Fallon, John Tyers, and Dolores Martin.ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Cast : Eda Heinemann (Dr. Didier), Phil Leeds (Dr. Francel), Nanette Fabray (Janette), Harold Lang (Ricky), Helen Gallagher (Poupette), Howard Wendell (Policeman, Sales Manager), Melville Cooper (Marius Frigo), Stephen Douglass (Paul Dumont), Mary Finney (The Madam), Le Roi Operti (Felix Labiche); The Sylvia Manon Trio; Singers: Mary Hami…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Act One: “The Tour Must Go On” (Dean Campbell, Boys, Girls); “I Wanna Be Good ’n’ Bad” (Nanette Fabray, Girls); “The Time Step” (Nanette Fabray, Helen Gallagher, Harold Lang); “What I Was Warned About” (Nanette Fabray); “Who Gives a Sou?” (Nanette Fabray, Stephen Douglass, Helen Gallagher, Harold Lang); “Folies Labiche Overture” (aka “Hel…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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