Mark Dawson

On stage 10 productions, 29 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• Act One: “When the Sheets Come Back from the Laundry” (Valerie Bettis, Bambi Linn, Betty Low, Aleen Buchanan, Rod Alexander, J. C. McCord, Jay Marshall, Dancers); “It’s a Long Time till Tomorrow” (Martha Wright, Mark Dawson); “Headin’ for a Weddin’” (Stuart Erwin, Valerie Bettis, Bambi Linn, Betty Low, Aleen Buchanan, Rod Alexander, J. C.…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “Intermission Talk” (Jackie Kelk, Chorus); “It Feels Good” (Mark Dawson); Sequence in Second Act of “Me and Juliet” (Arthur Maxwell, Bob Fortier, Helena Scott, Dancers); “The Baby You Love” (Helena Scott, Dancers); “We Deserve Each Other” (Joan McCracken, Bob Fortier, Chorus); “I’m Your Girl” (Isabel Bigley, Bill Hayes); Second A…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “Italy” (Boys, Girls); “Old-Fashioned Mothers” (Betty Kean, Jane Kean); “Skip the Build-Up” (Betty Kean, Lew Parker); “Nothing at All” (Jane Kean, Mark Dawson); “Walk Like a Sailor” (Jane Kean, Lew Parker, Gabriel Dell, Girls, Betty Kean, Hank Brunjes, Skeet Guenther); “Headin’ for the Bottom Blues” (Thelma Carpenter, Girls, Patr…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “Ready Cash” (Croupiers, Gamblers); “Kiss Me and Kill Me with Love” (Jane Kean, Mark Dawson); “Honeymoon” (Betty Kean, Girls); “The Villain Always Gets It” (Boys, Girls); “The Code” (Joe’s Henchmen); “Walk Like a Sailor” (reprise) (Dancing Boys and Girls); “Eleven O’clock Song” (Betty Kean, Jane Kean); Finale (Company)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “Roll Yer Socks Up” (H. F. Green, Dancers, Singers); “Anna Lilla” (Cameron Prud’homme); “Sunshine Girl” (Del Anderson, Eddie Phillips, Mark Dawson); “On the Farm” (Gwen Verdon); “Flings” (Thelma Ritter, Gwen Verdon, Mara Landi); “It’s Good to Be Alive” (Gwen Verdon); “Look at ’Er” (George Wallace); “It’s Good to Be Alive” (repris…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Styne, Jule, and Bob Merrill. Prettybelle. Members of the original cast recording with Angela Lansbury, Mark Dawson, and Peter Lombard. Cond. Milton Rosenstock. Jacket notes Peter Filichia and Barry Kleinbort. Varèse Sarabande compact disc, VSD-5439, 1982, 1993.ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.