On stage 8 productions, 27 years
| 1998 | Cabaret Kit Kat Klub at Studio 54 · Revival · directed by Sam Mendes & Rob Marshall | 2,377 perf. |
| 1998 | Hedwig and the Angry Inch Jane Street Theatre (Off-Broadway) · Original · directed by Peter Askin | 857 perf. |
| 2004 | Assassins (2004 Revival) Studio 54 · Revival · directed by Joe Mantello | 101 perf. |
| 2005 | Children and Art New Amsterdam Theatre · Original · directed by Lisa Shriver | 1 perf. |
| 2012 | Assassins (2004 Revival) Studio 54 · Original · directed by Joe Mantello | |
| 2014 | Hedwig and the Angry Inch Belasco Theatre · Revival · directed by Michael Mayer | 507 perf. |
| 2023 | Peter Pan Goes Wrong Ethel Barrymore Theatre · Original · directed by Adam Meggido | 111 perf. |
| 2025 | Art Music Box Theatre · Revival | 110 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Michael Cerveris | 3 productions |
| Jeffrey Kuhn | 3 productions |
| Becky Ann Baker | 3 productions |
| Alexander Gemignani | 3 productions |
| Taye Diggs | 2 productions |
| Rebecca Naomi Jones | 2 productions |
| Raul Esparza | 2 productions |
| Merwin Foard | 2 productions |
| Mary Catherine Garrison | 2 productions |
| Mario Cantone | 2 productions |
| Marc Kudisch | 2 productions |
| Lena Hall | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
Hedwig and the Angry Inch (2014 Revival)
Company
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- Pakledinaz; Lighting, Don Holder; Fights, B.H. Barry; Stage Manager, Kelley Kirkpatrick CAST: Neil Patrick Harris (Lester Price), Adriannie Krstansky (Show Girl), Chris Bauer (Kaplan), Steven Goldstein (Hoffman), Marge Redmond (Mother), MacIntyre Dixon (Nathan Whipple), Elaina Davis (Betty Ferris), Siobhan Fallon (Vendor), Geoffrey Owens…theatre-pdfs/Theatre World/Theatre World, 1994-95 Season, v. 51 (Willis).txt
- *Still playing May 31, 2003. The production moved to Studio 54 on November 12, 1998 tSucceeded by: 1. Ratil Esparza, John Stamos, Raul Esparza, Neil Patrick Harris 2. Leatheatre-pdfs/Theatre World/Theatre World, 2002-03 Season, v. 59 (Willis).txt
- 2002, Cast: Bebe Neuwirth, Michael Nouri, Neil Patrick Harris; September 10, 2002, Cast: Eli Wallach, Anne Jackson, Craig Williams; September 11, 2002,theatre-pdfs/Theatre World/Theatre World, 2002-03 Season, v. 59 (Willis).txt
- Billy Eamon Foley President Gerald Ford James Clow Lee Harvey Oswald Neil Patrick Harris Ensemble: James Clow, Merwin Foard, Kassebaum, Anne L. Nathan, Brandon Wardelltheatre-pdfs/Theatre World/Theatre World, 2003-04 Season, v. 60 (Willis).txt
- Alexander Gemignani, Becky Ann Baker, Jeffrey Kuhn, Michael Cerveris, Neil Patrick Harris, Mario Cantone, Mary Catherine Garrison, Denis O'Hare, James Barbourtheatre-pdfs/Theatre World/Theatre World, 2003-04 Season, v. 60 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.