On stage 10 productions, 32 years
| 1972 | Grease Eden Theatre · Original · directed by Tom Moore | 3,388 perf. |
| 1974 | The Magic Show Cort Theatre · Original · directed by Grover Dale | 1,920 perf. |
| 1975 | Very Good Eddie Booth Theatre · Revival · directed by Bill Gile | 304 perf. |
| 1978 | On the Twentieth Century St. James Theatre · Original · directed by Harold Prince | 449 perf. |
| 1979 | Whoopee Anta Playhouse · Revival · directed by Frank Corsaro | 204 perf. |
| 1981 | My Fair Lady Uris Theatre · Revival · directed by Patrick Garland | 119 perf. |
| 1985 | Doubles Ritz Theatre · Original · directed by Morton Da Costa | 277 perf. |
| 1987 | The Musical Comedy Murders of 1940 Longacre Theatre · Original | 136 perf. |
| 1988 | The Phantom of the Opera Majestic Theatre · Original · directed by Harold Prince | 13,981 perf. |
| 2004 | Sly Fox Ethel Barrymore Theatre · Revival · directed by Arthur Penn | 173 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once8 names
| Judy Kaye | 3 productions |
| Charles Repole | 3 productions |
| Timothy Jerome | 2 productions |
| Jon Engstrom | 2 productions |
| John Cullum | 2 productions |
| Jeff Keller | 2 productions |
| George Lee Andrews | 2 productions |
| Charles Rule | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Michael Crawford, Sarah Brightman, Steve Barton, Judy Kaye, Cris Groenendaal, Nicholas Wyman, Leila Martin, David Romano, Elisa Heinsohn, George Lee Andrewsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- STANDBYS AND UNDERSTUDIES: Steven Peterman (Doug), Gerstein (Cal/Donna), Sharron Miller (Charmin/Dina), Nicholas Wyman (Feldman/Goldfarb), Richard Balestrino (Mike/ Steve), Jay Fox (Manny), Christopher Lucas (Manny). Baillietheatre-pdfs/Theatre World/Theatre World, 1976-77 Season, v. 33 (Willis).txt
- * Closed Aug. 12, 1979 after 204 performances and 8 previews. + Succeeded by: 1. Nicholas Wyman,theatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
- THE OWL AND THE PUSSYCAT with John Schak, Sandy Laufer OH, COWARD! with Adrienne Doucette, Roger Kozol, Nicholas Wyman VANITIEStheatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
- THE APPLE TREE with Nicholas Wyman, Sandy Laufer, Roger Kozol, Sam Blackwell, Carol Chittum, Adrienne Doucette, Larry Hansen, Terry Hinz, Kelli Kahn, Jolly King, John W. Morrow, Jr.,theatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
- Left: Adrienne Doucette, Roger Kozol, Nicholas Wyman in “Oh, Coward!” Top: Kristen Lowman, Ralph Redpath in “Tartuffe”theatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.