Orson Welles

On stage 3 productions, 2 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once1 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on2 works

Around the World
The Cradle Will Rock

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• A : Probably not. But in 1936 Orson Welles staged Macbeth for the Negro Division of the Federal Theatre. The setting was switched to the Caribbean, and the witches’ magic to voodoo. After a scathing review by Percy Hammond of the New York Herald Tribune , some of the cast held an all-night voodoo ceremony to get back at Hammond. Three day…ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
• “I’ll admit, esthetically speaking, my nose isn’t a complete disaster. But dramatically, it lacks punch.”—ORSON WELLES , who often used puttyebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
• NLY A YEAR AFTER he had arrived in New York Merrick thought he could hitch his star to that of Orson Welles.ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Orson Welles, who had broken his leg in one of the final rehearsals for King Lear, played the title role in a wheelchair at the City Center, where, the same season, Tallulah Bankhead played Blanche du Bois in A Streetcar Named Desire. Earl Hyman played Mister Johnson in an adaptation of Joyce Cary's novel. Also that season New York got it…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
• Then a sentence was spoken exactly when I needed to hear it. The speaker was Martin Gabel, an actor-producer who had started with Orson Welles, looked like a foreshortened, stubby Welles and spoke in a Welles-like plummy basso with a Mid-Atlantic accent until he got drunk. Then he'd announce he was from Pittsburgh and laugh before anyone…ebooks/Laurents, Arthur/Original Story By_ A Memoir of Broadway and Hollywood - Arthur Laurents.txt
• To give you a brief history of this musical, in the fall of 1936, John and Orson Welles formed WPA Project 891, also known as the Classical Unit of the Federal Theatre. Their third production was The Cradle Will Rock by Marc Blitzstein, described by its author as “a Labor Opera—composed in a style that falls somewhere between realism, rom…ebooks/Lupone, Patti/Patti LuPone - Patti Lupone.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.