Theatre Register

Peggy Wood

Shows · Peggy Wood

Actor 1892–1978 On stage 19111960

Mary Margaret Wood (February 9, 1892 – March 18, 1978) was an American actress of stage, film, and television. She is best remembered for her performance as the title character in the CBS television series Mama (1949–1957), for which she was nominated for a Primetime Emmy Award for Outstanding Lead Actress in a Drama Series; her starring role as Naomi, Ruth's mother-in-law, in The Story of Ruth (1960); and her final screen appearance as Mother Abbess in The Sound of Music (1965), for which she received nominations for both an Academy Award and a Golden Globe Award.

On stage 30 productions, 49 years

1911 The Three Romeos Globe Theatre · Original 56 perf.
1912 The Lady of the Slipper Globe Theatre · Original · directed by R.H. Burnside 232 perf.
1913 The Madcap Duchess Globe Theatre · Original · directed by Fred G. Latham 71 perf.
1914 Hello, Broadway! Astor Theatre · Original · directed by James Gorman 123 perf.
1915 Young America Astor Theatre · Original 105 perf.
1917 Love o' Mike Shubert Theatre · Original · directed by J. H. Benrimo 233 perf.
1917 Maytime Shubert Theatre · Original · directed by Edward Temple 492 perf.
1919 Buddies Selwyn Theatre · Original 259 perf.
1922 Marjolaine Broadhurst Theatre · Original · directed by Oscar Eagle 136 perf.
1922 The Clinging Vine Knickerbocker Theatre · Original · directed by Ira Hards 188 perf.
1924 The Bride 39th Street Theatre · Revival 30 perf.
1925 Candida Comedy Theatre · Revival · directed by Dudley Digges 24 perf.
1926 King Henry IV, Part I Knickerbocker Theatre · Revival · directed by Henry Herbert 8 perf.
1927 A Lady in Love Lyceum Theatre · Original · directed by Rollo Lloyd 16 perf.
1928 A Play Without a Name Booth Theatre · Original 48 perf.
1928 The Merchant of Venice Broadhurst Theatre · Revival 64 perf.
1933 A Saturday Night Playhouse Theatre · Original · directed by Melville Burke 40 perf.
1933 Best Sellers Morosco Theatre · Original · directed by F. Cowles Strickland 53 perf.
1933 Champagne, Sec Morosco Theatre · Original · directed by Monty Woolley 113 perf.
1934 Birthday 49th Street Theatre · Original · directed by William W. Schorr 13 perf.
1940 Love for Love Hudson Theatre · Revival · directed by Robert Edmond Jones 8 perf.
1940 Old Acquaintance Morosco Theatre · Original · directed by Auriol Lee 170 perf.
1941 Blithe Spirit Morosco Theatre · Original 657 perf.
1943 Blithe Spirit Morosco Theatre · Return-Engagement 32 perf.
1949 The Happiest Years Lyceum Theatre · Original · directed by James Neilson 8 perf.
1951 Getting Married Anta Playhouse · Revival · directed by Peter Frye 16 perf.
1953 Charley's Aunt City Center · Revival · directed by José Ferrer 15 perf.
1958 The Girls in 509 Belasco Theatre · Original · directed by Bretaigne Windust 117 perf.
1958 Transposed Heads Phoenix Theatre · Original · directed by Bill Butler 2 perf.
1960 Rape of the Belt Martin Beck Theatre · Original · directed by Albert Marre 9 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Clifton Webb 3 productions
A G Andrews 3 productions
Vivian Rushmore 2 productions
Valerie Cossart 2 productions
Thomas Chalmers 2 productions
Romney Brent 2 productions
Philip Tonge 2 productions
Percy Moore 2 productions
Percy Helton 2 productions
Mildred Natwick 2 productions
Kent Smith 2 productions
Herbert Ranson 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

The Sound of Music

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Cast: Emma Trentini, Orville Harrold, Edward Martindel, Marie Duchene, Peggy Woodebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Cast: Peggy Wood, Charles Purcell, Ralph Herbert, William Norris, Gertrude Vanderbiltebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • Peggy Wood, who had played the role of Mama for eight years in the television series I Remember Mama, was persuaded to appear in the Florida production, even though Prince felt she was miscast. Others in the cast were Inga Swenson and George Peppard.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
  • Peggy Wood and George Peppard dropped out of the show, Inga Swenson and Silverstein staying with it. A young, inexperienced actor replaced Peppard and Fay Bainter replaced Wood.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
  • Bitter-Sweet Music, lyrics and book by Noel Coward. His Majesty’s Theatre, 12 July 1929. PC: Peggy Wood, George Metaxa, Ivy St Helier. MN: That Wonderful Melody; The Call of Life; If You Could Only Come with Me; I’ll See You Again; Tell Me, What Is Love?; The Last Dance; Life in the Morning; Ladies of the Town; If Love Were All; Evermore…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
  • Operette Music, lyrics and book by Noel Coward. His Majesty’s Theatre, 16 March 1938. PC: Fritzi Massary, Peggy Wood, Muriel Barron, Max Oldaker. MN: Prologue; Trouville; Countess Mitzi; Dearest Love; Foolish Virgins; The Stately Homes of England; Where Are the Songs We Sung?; The Island of Bollamazoo; Sing for Joy; Operette. 133 performa…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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