On stage 30 productions, 49 years
| 1911 | The Three Romeos Globe Theatre · Original | 56 perf. |
| 1912 | The Lady of the Slipper Globe Theatre · Original · directed by R.H. Burnside | 232 perf. |
| 1913 | The Madcap Duchess Globe Theatre · Original · directed by Fred G. Latham | 71 perf. |
| 1914 | Hello, Broadway! Astor Theatre · Original · directed by James Gorman | 123 perf. |
| 1915 | Young America Astor Theatre · Original | 105 perf. |
| 1917 | Love o' Mike Shubert Theatre · Original · directed by J. H. Benrimo | 233 perf. |
| 1917 | Maytime Shubert Theatre · Original · directed by Edward Temple | 492 perf. |
| 1919 | Buddies Selwyn Theatre · Original | 259 perf. |
| 1922 | Marjolaine Broadhurst Theatre · Original · directed by Oscar Eagle | 136 perf. |
| 1922 | The Clinging Vine Knickerbocker Theatre · Original · directed by Ira Hards | 188 perf. |
| 1924 | The Bride 39th Street Theatre · Revival | 30 perf. |
| 1925 | Candida Comedy Theatre · Revival · directed by Dudley Digges | 24 perf. |
| 1926 | King Henry IV, Part I Knickerbocker Theatre · Revival · directed by Henry Herbert | 8 perf. |
| 1927 | A Lady in Love Lyceum Theatre · Original · directed by Rollo Lloyd | 16 perf. |
| 1928 | A Play Without a Name Booth Theatre · Original | 48 perf. |
| 1928 | The Merchant of Venice Broadhurst Theatre · Revival | 64 perf. |
| 1933 | A Saturday Night Playhouse Theatre · Original · directed by Melville Burke | 40 perf. |
| 1933 | Best Sellers Morosco Theatre · Original · directed by F. Cowles Strickland | 53 perf. |
| 1933 | Champagne, Sec Morosco Theatre · Original · directed by Monty Woolley | 113 perf. |
| 1934 | Birthday 49th Street Theatre · Original · directed by William W. Schorr | 13 perf. |
| 1940 | Love for Love Hudson Theatre · Revival · directed by Robert Edmond Jones | 8 perf. |
| 1940 | Old Acquaintance Morosco Theatre · Original · directed by Auriol Lee | 170 perf. |
| 1941 | Blithe Spirit Morosco Theatre · Original | 657 perf. |
| 1943 | Blithe Spirit Morosco Theatre · Return-Engagement | 32 perf. |
| 1949 | The Happiest Years Lyceum Theatre · Original · directed by James Neilson | 8 perf. |
| 1951 | Getting Married Anta Playhouse · Revival · directed by Peter Frye | 16 perf. |
| 1953 | Charley's Aunt City Center · Revival · directed by José Ferrer | 15 perf. |
| 1958 | The Girls in 509 Belasco Theatre · Original · directed by Bretaigne Windust | 117 perf. |
| 1958 | Transposed Heads Phoenix Theatre · Original · directed by Bill Butler | 2 perf. |
| 1960 | Rape of the Belt Martin Beck Theatre · Original · directed by Albert Marre | 9 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Clifton Webb | 3 productions |
| A G Andrews | 3 productions |
| Vivian Rushmore | 2 productions |
| Valerie Cossart | 2 productions |
| Thomas Chalmers | 2 productions |
| Romney Brent | 2 productions |
| Philip Tonge | 2 productions |
| Percy Moore | 2 productions |
| Percy Helton | 2 productions |
| Mildred Natwick | 2 productions |
| Kent Smith | 2 productions |
| Herbert Ranson | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Emma Trentini, Orville Harrold, Edward Martindel, Marie Duchene, Peggy Woodebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Peggy Wood, Charles Purcell, Ralph Herbert, William Norris, Gertrude Vanderbiltebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Peggy Wood, who had played the role of Mama for eight years in the television series I Remember Mama, was persuaded to appear in the Florida production, even though Prince felt she was miscast. Others in the cast were Inga Swenson and George Peppard.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Peggy Wood and George Peppard dropped out of the show, Inga Swenson and Silverstein staying with it. A young, inexperienced actor replaced Peppard and Fay Bainter replaced Wood.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- Bitter-Sweet Music, lyrics and book by Noel Coward. His Majesty’s Theatre, 12 July 1929. PC: Peggy Wood, George Metaxa, Ivy St Helier. MN: That Wonderful Melody; The Call of Life; If You Could Only Come with Me; I’ll See You Again; Tell Me, What Is Love?; The Last Dance; Life in the Morning; Ladies of the Town; If Love Were All; Evermore…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
- Operette Music, lyrics and book by Noel Coward. His Majesty’s Theatre, 16 March 1938. PC: Fritzi Massary, Peggy Wood, Muriel Barron, Max Oldaker. MN: Prologue; Trouville; Countess Mitzi; Dearest Love; Foolish Virgins; The Stately Homes of England; Where Are the Songs We Sung?; The Island of Bollamazoo; Sing for Joy; Operette. 133 performa…ebooks/Wright, Adrian/Tanner's Worth of Tune_ Rediscovering the post-war British Musical, A - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.