On stage 7 productions, 11 years
| 1948 | As The Girls Go Winter Garden · Original · directed by Howard Bay | 420 perf. |
| 1948 | Lend An Ear National Theatre · Original · directed by Gower Champion, Hal Gerson | 460 perf. |
| 1951 | Courtin’ Time National Theatre · Original · directed by Alfred Drake | 37 perf. |
| 1951 | Razzle Dazzle The Arena · Original · directed by Edward Reveaux | 8 perf. |
| 1952 | Three Wishes for Jamie “A New Musical Play” Mark Hellinger Theatre · Original · directed by Abe Burrows | 91 perf. |
| 1957 | Copper and Brass Martin Beck Theatre · Original · directed by Marc Daniels | 36 perf. |
| 1959 | Take Me Along Shubert Theatre · Original · directed by Peter Glenville | 448 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Michele Burke | 2 productions |
| Kate Friedlich | 2 productions |
| Gloria Hamilton | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature8 passages
- Cast : Robert H. Baron, Peter Conlow, Kate Friedlich, Lee Goodman, Cris Goodyear, Dorothy Greener, Barbara Hamilton, James Harwood, Bob Herget, James Jewell, Christine Karner, Bill Newey, Jet MacDonald, Frank Reynolds, Jean Sincere, Flori Waren, Jane Whiteebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : Gloria Patrice (Nell Rilling), Gloria Hamilton (Cathy Rilling), Mary O’Fallon (Laura), Peter Conlow (George Mullins), Joe E. Brown (Samuel Rilling), Theodor Uppman (Carl Stevens), David E. Thomas (Fred Lawson), Billie Worth (Araminta), Effie Afton (Harriet Hearn), Joseph Sweeney (Mr. Hearn), Carmen Mathews (Theresa Tapper), Katheri…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Today at Your House, Tomorrow at Mine” (Joe E. Brown, Theodor Uppman, David E. Thomas, Peter Conlow, Male Singers; danced by Gloria Patrice, Peter Conlow, Ensemble); “Fixin’ for a Long, Cold Winter” (Joe E. Brown, Billie Worth); “Araminta to Herself” (Billie Worth); “An Old-Fashioned Glimmer in Your Eye” (Billie Worth, Gloria Ha…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Johnny-Ride-the-Sky” (Theodor Uppman, Gloria Hamilton, Singers); “Johnny and the Puckwudgies” (ballet) (Johnny-Ride-the-Sky: Peter Conlow; Gloria Patrice, Dancers; Piano: Dorothea Freitag); “The Sensible Thing to Do” (Billie Worth, Earl William); “The Wishbone Song” (reprise) (Billie Worth, Gloria Hamilton, Earl William, Gloria…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- At the end of the 1950s, Peter Conlow returned to the small-town America of the early 1900s with Take Me Along (1959), another musical about a moonstruck teen-aged boy in love (Conlow sang “Wint’s Song,” a come-hither, almost throwaway number in which he invited his best friend to join him in a visit to a local brothel).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “The Army Mule Song” (John Raitt, Men and Women of the Camp); “What Do I Know?” (Anne Jeffreys); “Expectant Father” (dance) (music by Lee J. Pockriss) (choreography by Herbert Ross) (Peter Conlow); “It’s a Wishing World” (Anne Jeffreys, John Raitt); “Trottin’ to the Fair” (choreography by Eugene Loring) (John Raitt, Robert Hallid…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.