Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Original Broadway book musicals referenced in this chapter: Anna Karenina, book and lyrics by Peter Kellogg, music by Daniel Levine; My Favorite Year, hook by Joseph Dougherty, music by Stephen Flaherty, lyrics by Lynn Ahrens; The Goodbye Girl, hook by Neil Simon, music by Marvin Hamlisch, lyrics by David 7.ippel; Blood Brothers, hook, mu…ebooks/Singer, Barry/Ever After_ The Last Years of Musical Theater and Beyond - Barry Singer.txt
- ANNA KARENINA Music, Daniel Levine; Lyrics/Book, Peter Kellogg; Adapted from the novel by Leo Tolstoy; Director, Theodore Mann; Musical Staging, Patricia Birch; Orchestrations, Peter Matz; Musical Director/Dance Arrangements, Nicholas Archer; Music Coordinator, Seymour Red Press; Sets, James Morgan; Costumes, Carrie Robbins; Lighting, Mar…theatre-pdfs/Theatre World/Theatre World, 1992-93 Season, v. 49 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — lyricist, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.