Priscilla Lopez

On stage 11 productions, 55 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Breakfast At Tiffany’s

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Carlo and Gino (Priscilla Lopez)—read, Chico and Harpo—worked for the officious widow. “When Major Pavlenko died,” she mourned, “part of me died, too.” Carlo offered this solace to the grandly overweight grande dame: “You can still do lots of livin’ with what you got.”ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
• Cast: Kelly Bishop, Pamela Blair, Wayne Cilento, Kay Cole, Patricia Garland, Baayork Lee, Priscilla Lopez, Robert LuPone, Donna McKechnie, Michel Stuart, Thommie Walsh, Sammy Williamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• Cast: Lin-Manuel Miranda, Andréa Burns, Janet Dacal, Robin De Jesús, Carlos Gomez, Mandy Gonzalez, Christopher Jackson, Priscilla Lopez, Olga Meredizebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• I interviewed another Latina actress this week, In the Heights 's Priscilla Lopez. What a career! Her first audition was at the Broadway Theatre for the role of Baby Louise in the original production of Gypsy . She saw the girls ahead get in a line and she watched as the casting person told a few to stay. There was one girl who got typed…ebooks/Rudetsky, Seth/Seth's Broadway Diary, Volume 1_ Part 1 - Seth Rudetsky.txt
• She started with In the Heights very early on in its inception, but she played the role of Camilla, Nina's mother, now played by Priscilla Lopez. They were auditioning people to play Abuela but couldn't find anybody the right age who could sing it with enough sass. Finally, they let Olga audition. She is way too young, but she aged hersel…ebooks/Rudetsky, Seth/Seth's Broadway Diary, Volume 1_ Part 2 - Seth Rudetsky.txt
• Gilbert watched Priscilla Lopez come bounding from the men's room, looking so swell in her costume that many in the room began to applaud.ebooks/Singer, Barry/Ever After_ The Last Years of Musical Theater and Beyond - Barry Singer.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.