On stage 11 productions, 50 years
| 1966 | Sweet Charity Palace Theatre · Revival · directed by Bob Fosse | 608 perf. |
| 1970 | Company Alvin Theatre · Original · directed by Harold Prince | 705 perf. |
| 1972 | Lysistrata Brooks Atkinson Theatre · Revival | 8 perf. |
| 1972 | Pippin Imperial Theatre · Revival · directed by Bob Fosse | 1,944 perf. |
| 1973 | A Little Night Music Shubert Theatre · Original · directed by Harold Prince | 601 perf. |
| 1980 | Musical Chairs Rialto Theatre · Original · directed by Rudy Tronto | 14 perf. |
| 1987 | Into the Woods Martin Beck Theatre · Original · directed by James Lapine | 765 perf. |
| 1997 | Into the Woods Broadway Theatre · Revival | 2 perf. |
| 2002 | Into the Woods Broadhurst Theatre · Revival · directed by James Lapine | 279 perf. |
| 2009 | Bernadette Peters: A Special Concert for Broadway Barks Because Broadway Cares Minskoff Theatre · Original · directed by Richard Jay-Alexander | 1 perf. |
| 2016 | Les Liaisons Dangereuses Booth Theatre · Revival · directed by Josie Rourke | 81 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Merle Louise | 4 productions |
| Patti Karr | 3 productions |
| Lauren Mitchell | 3 productions |
| Kay McClelland | 3 productions |
| Bernadette Peters | 3 productions |
| Tom Aldredge | 2 productions |
| Priscilla Lopez | 2 productions |
| Pamela Winslow | 2 productions |
| Pamela Myers | 2 productions |
| Maureen Davis | 2 productions |
| Kim Crosby | 2 productions |
| John McMartin | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- HELEN GALLAGHER, EVALYN BARON, BEV LARSON, MARCIA RODD, JENNIE VENTRISS, JOY FRANZ, MARY DONNET in “| CAN'T KEEP RUNNING. . .”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Patti Karr Gayla Osboume Philip Bruns Cynthia BuUens Joanne Nail Joy Franz Richard Dmitintheatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
- Closed Aug. 3, 1974 after 601 performances and 12 previews. Winner of 1973 "Tony" Award, and Drama Critics Circle Award. t Succeeded by: 1. Joy Franz, 2. Sherry Mathis, 3. Sheila K. Adams, 4. Dick Sabol, 5. William Daniels *theatre-pdfs/Theatre World/Theatre World, 1973 74 Season, v. 30 (Willis).txt
- CMR TA ME rele isa cieera Saree aalsiencealy aa os Joy Franz RSEOWINSUML Eo rere 0 atatays says afsieiSeyeieneieis atea svayens Edward Earle S}ATIS SUSU 2 65 area Bacar ee Seca ae eee Tom Breslin PSEC Olas fares wile eelstheatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
- Schenkkan, Prudence Wright Holmes SOMETHING WONDERFUL (World Premiere) conceived and adapted by Alice Hammerstein Mathias: Harry Danner, Joy Franz, Randy Graff, Marti Rolph, Dean Russell PUT THEM ALL TOGETHER by Anne Commire: Alma Cuervo, Jean DeBaer, Charlie Fields, Birdie M. Hale, Margo Martindale, J. J. Quinn, Richard Southern A LIFE I…theatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
- Dean Russell, (front) Marti Rolph, Joy Franz in “Something Wonderful” Top: Catherine Burns, Robert Schenkkan in “Eccentricities of a Nightingale”theatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.