On stage 16 productions, 26 years
| 1927 | The Banshee Dalys 63rd Street Theatre · Original · directed by Charles J. Mulligan | 48 perf. |
| 1932 | Monkey Mansfield Theatre · Original | 28 perf. |
| 1932 | Red Planet Cort Theatre · Original · directed by Burk Symon | 7 perf. |
| 1933 | Foolscap Times Square Theatre · Original · directed by Geoffrey Kerr | 13 perf. |
| 1933 | Three-Cornered Moon Cort Theatre · Original | 76 perf. |
| 1934 | Spring Freshet Plymouth Theatre · Original | 12 perf. |
| 1934 | The Lady from the Sea Little Theatre · Revival · directed by John Houseman | 15 perf. |
| 1934 | Whatever Possessed Her Mansfield Theatre · Original · directed by Arthur Sircom | 4 perf. |
| 1935 | Panic Imperial Theatre · Original · directed by James Light | 2 perf. |
| 1935 | The Taming of the Shrew Guild Theatre · Revival · directed by Harry Wagstaff Gribble | 129 perf. |
| 1937 | Amphitryon 38 Shubert Theatre · Original · directed by Bretaigne Windust | 153 perf. |
| 1938 | The Seagull Shubert Theatre · Revival · directed by Robert Milton | 41 perf. |
| 1940 | The Taming of the Shrew Alvin Theatre · Revival · directed by Harry Wagstaff Gribble | 8 perf. |
| 1948 | Angel Street City Center · Revival · directed by Richard Barr | 14 perf. |
| 1950 | Season in the Sun Cort Theatre · Original · directed by Burgess Meredith | 367 perf. |
| 1953 | The Fifth Season Cort Theatre · Original · directed by Gregory Ratoff | 654 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Sydney Greenstreet | 4 productions |
| Alan Hewitt | 4 productions |
| S Thomas Gomez | 3 productions |
| Lynn Fontanne | 3 productions |
| Ernestine de Becker | 3 productions |
| Edith King | 3 productions |
| Alfred Lunt | 3 productions |
| Victor Thorley | 2 productions |
| Ray Holgate | 2 productions |
| Phyllis Hill | 2 productions |
| Joseph Allen | 2 productions |
| Harry Be Gar | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- Direction : Staging by Hassard Short and book direction by Richard Whorf; Producers : Milton Berle, Sammy Lambert, and Bernie Foyer; Choreography : Dania Krupska; Scenery : Stewart Chaney; Lighting : Hassard Short; Costumes : David Ffolkes; Musical Direction : Vincent Traversebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.