Rob Marshall

On stage 2 productions, 1 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on9 works

She Loves Me (2016 Revival)
Damn Yankees (1994 Revival)
Kiss of the Spider Woman
Cabaret
A Funny Thing Happened on the Way to the Forum
She Loves Me
Victor/Victoria
A Funny Thing... Forum (1996 Revival)
Cabaret (1998 Revival)

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Rob Marshall, who had last worked with Prince when he had been brought in to add some dance numbers in Kiss of the Spider Woman, was chosen to do the choreography, while James Youmans did the sets and Judith Dolan the costumes.ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
• A much revised version of the show returned to Broadway by way of London in 1998, choreographed by Rob Marshall and directed by both Marshall and Sam Mendes. New scenes were added, and four of the original Broadway songs were replaced by three from Fosse’s movie and “I Don’t Care Much,” which had been cut from the original production. The…ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
• KANDER: Oh, I did, though she was all wrong. I thought Sam’s concept was just brilliant, but it was made immensely better by Rob Marshall when it came to New York, and it was essentially the same concept. In the original Cabaret , we actually had two different orchestras. Within one large orchestra, there was the cabaret orchestra, and wh…ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
• EBB: And Rob Marshall, who has now directed the movie of Chicago. Look what happened to him.ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
• KANDER: Rob Marshall is one of ours also. We’ve worked with him a great deal since he started off in Zorba .ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt
• T he screen version of Chicago waited more than twenty-five years to be made. Directed by Rob Marshall and written by Bill Condon, the movie was released on December 27, 2002, with a cast that featured Catherine Zeta-Jones (Velma), Renee Zellweger (Roxie), Richard Gere (Billy Flynn), Queen Latifah (Mama Morton), and John C. Reilly (Amos “…ebooks/Lawrence, Greg/Colored Lights_ Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz - Greg Lawrence & John Kander & Fred Ebb.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — director, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.