Theatre Register

Robert B. Smith

Shows · Robert B. Smith

Lyricist 1875–1951

Robert Bache Smith ( June 4, 1875 – November 6, 1951) was an American librettist and lyricist. His older brother, Harry B. Smith, was also a successful lyricist and a writer and composer. Born in Chicago, Smith began his career apprenticing with the famed vaudeville duo Weber and Fields at the Weber and Fields' Broadway Music Hall. He most notably wrote the lyrics to “Come Down, Ma Evenin' Star” from Weber and Fields' Twirly Whirly (1902; famously sung by Lillian Russell). He went on to write libretti for operettas and lyrics for musicals, including such works as Fantana (1905), The Spring Maid (1910), Sweethearts (1913), and Angel Face (1919). His last work was The Girl in the Spotlight (cr…

Also credited on1 work

Sweethearts

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature1 passages

  • Victor Herbert in 1913 produced Sweethearts with lyrics by Robert B. Smith. Throughout, one will find the vacuous, empty, nonspecific words that accurately represent other lyricists of the period.ebooks/Engel, Lehman/Words with Music_ Creating the Broadway Musical Libretto - Lehman Engel.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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