On stage 14 productions, 57 years
| 1922 | The God of Vengeance Provincetown Playhouse · Original · directed by Rudolph Schildkraut | 133 perf. |
| 1924 | Izzy Broadhurst Theatre · Original | 71 perf. |
| 1924 | The Main Line Klaw Theatre · Original · directed by Horace Sinclair | 18 perf. |
| 1925 | The Jazz Singer Fulton Theatre · Original · directed by Albert Lewis | 303 perf. |
| 1927 | The Jazz Singer Century Theatre · Revival | 16 perf. |
| 1928 | Poppa Biltmore Theatre · Original · directed by George Abbott | 96 perf. |
| 1930 | Grand Hotel National Theatre · Original · directed by Fritz Feld | 459 perf. |
| 1934 | The Bride of Torozko Henry Millers Theatre · Original | 12 perf. |
| 1937 | The Eternal Road Manhattan Opera House · Original · directed by Max Reinhardt | 153 perf. |
| 1942 | Cafe Crown Theatre not recorded · Original | 141 perf. |
| 1944 | Thank You, Svoboda Mansfield Theatre · Original · directed by H. S. Kraft | 6 perf. |
| 1947 | This Time Tomorrow Ethel Barrymore Theatre · Original · directed by Paul Crabtree | 32 perf. |
| 1954 | Mademoiselle Colombe Longacre Theatre · Original · directed by Harold Clurman | 61 perf. |
| 1979 | A Meeting by the River Palace Theatre · Original · directed by Albert Marre | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once10 names
| Tony Kennedy | 2 productions |
| Tom Johnstone | 2 productions |
| Robert Leonard | 2 productions |
| Morris Carnovsky | 2 productions |
| Mary Ricard | 2 productions |
| Lillian Taiz | 2 productions |
| Joseph Hopkins | 2 productions |
| George Jessel | 2 productions |
| Dorothy Raymond | 2 productions |
| Arthur Lane | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.