On stage 8 productions, 11 years
| 2008 | Billy Elliot Imperial Theatre · Original · directed by Stephen Daldry | 1,312 perf. |
| 2008 | Sunday in the Park with George Theatre not recorded · Revival | 149 perf. |
| 2009 | Brighton Beach Memoirs Nederlander Theatre · Revival · directed by David Cromer | 9 perf. |
| 2011 | The Importance of Being Earnest American Airlines Theatre · Revival · directed by Brian Bedford | 189 perf. |
| 2013 | Rodgers + Hammerstein's Cinderella Broadway Theatre · Original · directed by Mark Brokaw | 770 perf. |
| 2014 | Act One Vivian Beaumont Theater · Original · directed by Mimi Lieber | 67 perf. |
| 2017 | Hello, Dolly! Shubert Theatre · Revival · directed by Jerry Zaks | 699 perf. |
| 2019 | Tootsie Theatre not recorded · Original · directed by Scott Ellis | 293 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once11 names
| Stephen Hanna | 2 productions |
| Shina Ann Morris | 2 productions |
| Robert Hartwell | 2 productions |
| Nick Spangler | 2 productions |
| Linda Mugleston | 2 productions |
| Leslie Donna Flesner | 2 productions |
| Giuseppe Bausilio | 2 productions |
| Giovanni Bonaventura | 2 productions |
| Drew McVety | 2 productions |
| Branch Woodman | 2 productions |
| Aaron Kaburick | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
Rodgers + Hammerstein's Cinderella
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Thomas Bruce, Leo Burmester, Santino Fontana, Sara Jean Ford, Burke Moses, Robert Oliver, Martin Vidnovicebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Michael Cumpsty, Daniel Evans, Alexander Gemignani, Jessica Molaskey, Jenna Russell, Mary Beth Peil, Santino Fontanaebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: David Alvarez, Trent Kowalik, Kiril Kulish, Santino Fontana, Haydn Gwynne, Gregory Jbara, Carole Shelley, David Bologna, Frank Dolceebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- (Clockwise from top left) Noah Robbins, Laurie Metcalf, Alexandra Socha, Jessica Hecht, Santino Fontana, Dennis Boutsikaris, and Gracie Bea Lawrence in Brighton Beach Memoirs. Opened at the Nederlander Theatre October 25, 2009 (photo by Joan Marcus)theatre-pdfs/Theatre World/Theatre World, 2009-2010 Season, v. 66 (Willis).txt
- Jonathan Louis Dent, Chris Perfetti, Santino Fontana, and Yusef Bulos in Roundabout Theatre Company's Sons of the Prophet. Opened at the Laura Pels Theatre October 20, 2011 (photo by Joan Marcus)theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
- Santino Fontana and Joanna Gleason in Sons of the Prophet (photos by Joan Marcus)theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.