On stage 1 production
| 2019 | Kristin Chenoweth: For the Girls Nederlander Theatre · Original · directed by Richard Jay-Alexander | 8 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on9 works
Godspell
Pippin
Wicked
The Magic Show
Rags
Pippin (2013 Revival)
Working
The Queen of Versailles
Fosse
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- John-Michael Tebelak and Stephen Schwartz conceived Godspell , a feel-good (despite its unavoidable crucifixion finale) collection of pleasantly memorable sing-along songs, loosely strung together to recount the gospel of St Matthew. Andrew Lloyd Webber and Tim Rice followed Joseph and the Amazing Technicolor Dreamcoat – expanded into a f…ebooks/Bagnall, Rob/Still the Beast is Feeding_ 40 Years of Rocky Horror - Rob Bagnall & Phil Barden.txt
- Mass: A Theatre Piece for Singers, Players and Dancers (1970–1; additional texts by Stephen Schwartz and Leonard Bernstein) 70 n104, 268 n3, 301, 502, 503 (i) , (ii) , (iii) , (iv) , (v) , (vi) , (vii) n55, (viii) , (ix) , (x)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Stephen Schwartz says ‘the workshop doesn’t make sense any more because they cost $500,000 and you’re so limited in terms of rules that you don’t have room to move freely, try things out. It’s not like when we did our Godspell workshop, when everybody met when they felt like it and said, “What’ll we do today?” It was a much more creative…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- No important force in the theatre is as pessimistic as Stephen Schwartz, who says:ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- 36 Stephen Schwartz, composer-lyricist of Godspell, Pippin, The Magic Show cautions that completed music can imprison the lyricist. ‘I always get as much of the lyric idea down as possible. I think music is much easier than lyrics, because lyrics are craft, and music is a sort of emotional response to a situation or a particular feeling.…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
- 172 Stephen Schwartz had two enormous rock hits that were recorded by the Jackson Five — ‘Day By Day’ from Godspell and ‘Corner of the Sky’ from Pippin. Yet he says, ‘I really don’t think in terms of the pop market. “Corner of the Sky” was the philosophy of Pippin - the hero’s attempt to find a place for himself in the universe. In the ca…ebooks/Citron, Stephen/Musical From the Inside Out, The - Stephen Citron.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — composer, lyricist, book writer, director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.