On stage 12 productions, 27 years
| 1941 | Brooklyn, U.S.A. Forrest Theatre · Original · directed by Lem Ward | 57 perf. |
| 1945 | Beggars Are Coming to Town Coronet Theatre · Original · directed by Harold Clurman | 25 perf. |
| 1946 | The Iceman Cometh Martin Beck Theatre · Original · directed by Eddie Dowling | 136 perf. |
| 1949 | Death of a Salesman Morosco Theatre · Original · directed by Elia Kazan | 742 perf. |
| 1950 | Guys and Dolls 46th Street Theatre · Original · directed by George S. Kaufman | 1,200 perf. |
| 1955 | A View From the Bridge / A Memory of Two Mondays Coronet Theatre · Original · directed by Martin Ritt | 149 perf. |
| 1955 | Guys and Dolls City Center · Revival · directed by Philip Mathias | 31 perf. |
| 1957 | A Hole in the Head Plymouth Theatre · Original · directed by Garson Kanin | 156 perf. |
| 1963 | Arturo Ui Lunt Fontanne Theatre · Original · directed by Tony Richardson | 8 perf. |
| 1963 | My Mother, My Father and Me Plymouth Theatre · Original · directed by Gower Champion | 17 perf. |
| 1966 | The Investigation Ambassador Theatre · Original | 103 perf. |
| 1968 | Mike Downstairs Hudson Theatre · Original · directed by Donald Driver | 4 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Martin Wolfson | 3 productions |
| Walter Matthau | 2 productions |
| Wallace Rooney | 2 productions |
| Tom Ahearne | 2 productions |
| Russell Collins | 2 productions |
| Russell Baker | 2 productions |
| Roger de Koven | 2 productions |
| Richard Castellano | 2 productions |
| Paul Migan | 2 productions |
| Marcia Maier | 2 productions |
| Marc West | 2 productions |
| Louise Golden | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature2 passages
- The musical has been revived on Broadway six times, with three productions by the New York City Center Light Opera Company over a period of eleven years. The first City Center revival opened on April 20, 1955, in two slightly separated engagements for a total of thirty-one performances; the cast included Ray Shaw (Sky), Leila Martin (Sara…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Harry-the-Horse was a one-time longshoreman named Tom Pedi. He retained the homegrown, deep Italian-American rasp in his voice that made that character come to life: “Hey do not make Big Jule hafta do somethin’ to ya!” They were conjured up, as if sensing that something unusual was being put together at the 46th Street Theater. Even our s…ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.