On stage 32 productions, 28 years
| 1916 | Mile-a-minute Kendall Lyceum Theatre · Original | 47 perf. |
| 1916 | Mr. Lazarus Shubert Theatre · Original | 39 perf. |
| 1917 | Oh, Boy! Princess Theatre · Original · directed by Edward Royce, Robert Milton | 463 perf. |
| 1920 | Bab Park Theatre · Original · directed by Ignacio Martinetti | 88 perf. |
| 1921 | Love Dreams Times Square Theatre · Original · directed by John McKee | 40 perf. |
| 1922 | Hospitality 48th Street Theatre · Original · directed by Augustin Duncan | 46 perf. |
| 1922 | The First Fifty Years Princess Theatre · Original | 48 perf. |
| 1922 | The S. S. Tenacity Belmont Theatre · Original | 67 perf. |
| 1922 | Why Not? 48th Street Theatre · Original · directed by Mrs. Shelley Hull | 120 perf. |
| 1923 | Tarnish Belmont Theatre · Original | 248 perf. |
| 1924 | Great Music Earl Carroll Theatre · Original | 44 perf. |
| 1925 | Androcles and the Lion Klaw Theatre · Revival · directed by Philip Moeller | 68 perf. |
| 1925 | Arms and the Man Guild Theatre · Revival · directed by Philip Moeller | 180 perf. |
| 1925 | The Wild Duck 48th Street Theatre · Revival · directed by Dudley Digges | 103 perf. |
| 1926 | Love in a Mist Gaiety Theatre · Original | 118 perf. |
| 1926 | White Wings Booth Theatre · Original | 27 perf. |
| 1927 | House of Shadows Longacre Theatre · Original | 29 perf. |
| 1928 | Strange Interlude John Golden Theatre · Original · directed by Philip Moeller | 426 perf. |
| 1930 | Milestones Empire Theatre · Revival · directed by Henry Stillman | 8 perf. |
| 1930 | The Apple Cart Martin Beck Theatre · Original · directed by Philip Moeller | 88 perf. |
| 1931 | He Guild Theatre · Original | 40 perf. |
| 1934 | Mackerel Skies Playhouse Theatre · Original · directed by John Roche | 23 perf. |
| 1934 | Sailors of Cattaro Civic Repertory Theatre · Original · directed by Irving Gordon | 96 perf. |
| 1934 | The Pure in Heart Longacre Theatre · Original · directed by Edward Massey | 7 perf. |
| 1935 | If This Be Treason Music Box Theatre · Original · directed by Harry Wagstaff Gribble | 40 perf. |
| 1937 | Julius Caesar Mercury Theatre · Revival · directed by Hiram Sherman | 157 perf. |
| 1939 | Ring Two Henry Millers Theatre · Original | 5 perf. |
| 1939 | When We Are Married Lyceum Theatre · Original | 156 perf. |
| 1940 | Fledgling Hudson Theatre · Original · directed by Heinrich Schnitzler | 13 perf. |
| 1942 | Broken Journey Henry Millers Theatre · Original · directed by Arthur Hopkins | 23 perf. |
| 1942 | The Three Sisters Ethel Barrymore Theatre · Revival | 123 perf. |
| 1944 | Allah Be Praised! Adelphi Theatre · Original · directed by Robert H. Gordon | 20 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Warburton Gamble | 4 productions |
| Violet Kemble Cooper | 3 productions |
| Philip Leigh | 3 productions |
| John Hoysradt | 3 productions |
| Ernest Cossart | 3 productions |
| Cecil Yapp | 3 productions |
| William H Sams | 2 productions |
| Thomas Chalmers | 2 productions |
| Romney Brent | 2 productions |
| Ralph Morgan | 2 productions |
| Phyllis Povah | 2 productions |
| Pearl Sindelar | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature6 passages
- Cast: Marie Carroll, Tom Powers, Anna Wheaton, Hal Forde, Edna May Oliver, Marion Davies, Justine Johnstone, Dorothy Dickson & Carl Hysonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- a Princess Theatre musical with Anna Wheaton, Tom Powers, Edna May Oliver, Hal Forde, Marion Davies, Justine Johnstone ’ ‘ . . Carroll. sicals F runs werre longy runs which; had Other— musicals and Marie » Carroll.theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Rathbone and Philip Merivale, Gilbert Emery’s “Tarnish” with Tom Powers, Ann Harding and Fania Marinoff, and Lee Wilson Dodd’s “The Changelings”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Violet Kemble Cooper and Tom Powers in The Apple Cart. New York, Martin Beck Theatre. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center, Astor, Lenox andtheatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 4 (O-S).txt
- SAILORS OF CATTARO ‘(Dec. 10 : by Friedrich Wolf, adapted by Wallis. Producer: Theatre Union, ¥ “eee Tom Powers. ptheatre-pdfs/sim_theatre-arts_1935-02_19_2.txt
- Scenes for Student Actors, Volume IP, edited by Frances Cosgrove. Samu French: $7.50. Life Studies, by Tom Powers; Soh| Plays, from the repertory of Sydney Thompson. Samuel French: each, $1, Romances by Emma, by Dewitt By | deen; The Man from Cairo, adapted by| Dan Goldberg; Black Sheep, by Elma | Rice. Dramatists Play Service: each $75.…theatre-pdfs/sim_theatre-arts_1939-08_23_8.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.