The run closed May 27, 1950
- Opened
- February 21, 1950
- Closed
- May 27, 1950
- Performances
- 111
- Previews
- —
- Theatre
- Bernard B. Jacobs Theatre
Of the 705 productions we hold that opened in the 1950s and record a performance count, this is the 203rd longest. That is a rank within what we hold, not within everything that was staged.
Other stagings of The Devil's Disciple 4 more that season
| 1897 | Fifth Avenue Theatre Original | 56 perf. |
| 1899 | Garden Theatre Revival | |
| 1923 | Garrick Theatre Revival | 64 perf. |
| 1988 | Circle In The Square Theatre Revival · Stephen Porter | 113 perf. |
Who was in it39 named
Marsha Hunt
Victor Jory
Gavin Gordon
Ian Martin
Hilda Vaughn
Somer Alberg
Paul Anderson
Martine Bartlett
Benned Brownell
Janet Maria Burtis
Cliff Cothren
Richard Curry
Paul Davis
Olive Dunbar
Robert Hartung
William Hawley
Betty Lou Holland
Louis Hollister
Cavada Humphrey
Billy James
Bruce Jewell
Dorothy Johnston
Robert Latta
Joseph Longstreth
Louis Lytton
Billy Matthews
Joe Mego
Kenn Mileston
Alan Miller
John Murphy
James Newell
Logan Ramsey
Mary Rogan
Leon Shaw
Robinson Stone
Gloria Valberg
3 of these 39 names have a person record behind them and link to one. The other 36 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.
Creative team
- Director
- Margaret Webster
- Producer
- Richard Aldrich
A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.
What this page does not know
- No photograph of this staging. 48 of 13,459 productions hold one.
- No character names. We can say who was in the company and not who they played.
- No recording is held for The Devil's Disciple at all.
- No show page for The Devil's Disciple. The work is here as a title and a year, and nothing more has been gathered about it.
- Reviews, box office, running order, understudies and designers: none of it is held for any production.