The run closed October 5, 1955
- Opened
- October 3, 1955
- Closed
- October 5, 1955
- Performances
- 8
- Previews
- —
- Theatre
- Shubert Theatre
Of the 705 productions we hold that opened in the 1950s and record a performance count, this is the 568th longest. That is a rank within what we hold, not within everything that was staged.
Other stagings of The Yeomen of the Guard 9 more that season
| 1888 | Casino Theatre Original | |
| 1915 | 48th Street Theatre Revival · Herbert Cripps | 24 perf. |
| 1933 | Majestic Theatre Revival · Milton Aborn | 8 perf. |
| 1934 | Martin Beck Theatre Revival · James McRobbie Gordon | 11 perf. |
| 1935 | Adelphi Theatre Revival | 12 perf. |
| 1936 | Martin Beck Theatre Revival | 20 perf. |
| 1939 | Martin Beck Theatre Revival | |
| 1944 | Ambassador Theatre Revival · R.H. Burnside | 1 perf. |
| 1948 | New Century Theatre Revival · Anna Bethell | 16 perf. |
Who was in it14 named
Donald Adams
John Banks
Ann Drummond Grant
John Fryatt
Muriel Harding
Lawson Johnson
Maureen Melvin
Fisher Morgan
Leonard Osborn
Peter Pratt
John Reed
Frederick Sinden
Alan Styler
Joyce Wright
0 of these 14 names have a person record behind them and link to one. The other 14 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.
Creative team
- Director
- Robert A. Gibson
- Producer
- D'Oyly Carte Opera Company
A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.
What this page does not know
- No photograph of this staging. 48 of 13,459 productions hold one.
- No character names. We can say who was in the company and not who they played.
- No recording is held for The Yeomen of the Guard at all.
- No show page for The Yeomen of the Guard. The work is here as a title and a year, and nothing more has been gathered about it.
- Reviews, box office, running order, understudies and designers: none of it is held for any production.