The run closed March 26, 1944
- Opened
- March 3, 1944
- Closed
- March 26, 1944
- Performances
- 1
- Previews
- —
- Theatre
- Ambassador Theatre
Of the 890 productions we hold that opened in the 1940s and record a performance count, this is the 868th longest. That is a rank within what we hold, not within everything that was staged.
Other stagings of The Yeomen of the Guard 9 more that season
| 1888 | Casino Theatre Original | |
| 1915 | 48th Street Theatre Revival · Herbert Cripps | 24 perf. |
| 1933 | Majestic Theatre Revival · Milton Aborn | 8 perf. |
| 1934 | Martin Beck Theatre Revival · James McRobbie Gordon | 11 perf. |
| 1935 | Adelphi Theatre Revival | 12 perf. |
| 1936 | Martin Beck Theatre Revival | 20 perf. |
| 1939 | Martin Beck Theatre Revival | |
| 1948 | New Century Theatre Revival · Anna Bethell | 16 perf. |
| 1955 | Shubert Theatre Revival · Robert A. Gibson | 8 perf. |
Who was in it15 named
Robert Eckles
Walter George
James Gerard
Catherine Judah
August Loring
Chester Madan
Frank Murray
Lewis Pierce
Kathryn Reece
Kathleen Roche
Allen Stewart
Marie Valdez
3 of these 15 names have a person record behind them and link to one. The other 12 are set from the identifier in the cast list, which is a slug of the name — so hyphens and full stops are lost and a few come out wrong. We hold nothing else about them. Nobody here is matched to a character: the cast list records who was in the company and not what they played.
Creative team
- Director
- R.H. Burnside
- Producer
- Gilbert and Sullivan Opera Company
A producer is one string on this record, however many people or companies it names. Directors and choreographers are held both as text and as identifiers; where an identifier exists the name links to a page.
What this page does not know
- No photograph of this staging. 48 of 13,459 productions hold one.
- No character names. We can say who was in the company and not who they played.
- No recording is held for The Yeomen of the Guard at all.
- No show page for The Yeomen of the Guard. The work is here as a title and a year, and nothing more has been gathered about it.
- Reviews, box office, running order, understudies and designers: none of it is held for any production.