On stage 12 productions, 19 years
| 1942 | New Faces of 1943 Ritz Theatre · Original · directed by Lawrence Hurdle | 94 perf. |
| 1944 | On the Town Adelphi Theatre · Original · directed by George Abbott | 463 perf. |
| 1948 | Look, Ma, I’m Dancin’! Adelphi Theatre · Original · directed by George Abbott & Jerome Robbins | 188 perf. |
| 1948 | Small Wonder Coronet Theatre · Original · directed by Gower Champion | 134 perf. |
| 1949 | Gentlemen Prefer Blondes Ziegfeld Theatre · Revival · directed by John C. Wilson | 740 perf. |
| 1952 | The Grass Harp Martin Beck Theatre · Original · directed by Robert Lewis | 36 perf. |
| 1954 | Dear Charles Morosco Theatre · Original · directed by Edmund Baylies | 155 perf. |
| 1956 | Bells Are Ringing Shubert Theatre · Original · directed by Jerome Robbins | 924 perf. |
| 1956 | Fallen Angels Playhouse Theatre · Revival | 239 perf. |
| 1957 | Copper and Brass Martin Beck Theatre · Original · directed by Marc Daniels | 36 perf. |
| 1961 | Midgie Purvis Martin Beck Theatre · Original · directed by Burgess Meredith | 21 perf. |
| 1961 | Sail Away! Broadhurst · Original · directed by Noel Coward | 167 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Nancy Walker | 4 productions |
| Tommy Rall | 2 productions |
| Tallulah Bankhead | 2 productions |
| Susan Steell | 2 productions |
| Ruth Webb | 2 productions |
| Robert Chisholm | 2 productions |
| Richard D Arcy | 2 productions |
| Mort Marshall | 2 productions |
| Marten Sameth | 2 productions |
| Larry Robinson | 2 productions |
| Kate Friedlich | 2 productions |
| George S. Irving | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature4 passages
- Act Two: “Call the Police” (Nancy Walker, Dorothy Aull, Joy Lane, Bette Graham); “Unmistakable Sign” (Nancy Walker, Benay Venuta); “Why Her?” (Dick Williams); “Me and Love” (Nancy Walker); “Remember the Dancing” (Benay Venuta, Alice Pearce, Alan Bunce, Doreen McLean, Michael Roberts, Alice Nunn, Peter Conlow, Norma Douglas, Company); “Hon…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Sono Osato, Nancy Walker, Betty Comden, Adolph Green, John Battles, Cris Alexander, Alice Pearce, Allyn Ann McLerieebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Carol Channing, Yvonne Adair, Jack McCauley, Eric Brotherson, Alice Pearce, Rex Evans, Anita Alvarez, George S. Irving, Mort Marshall, Howard Morris, Charles “Honi” Coles, Cholly Atkinsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- that paraded through the series: Henry Fonda, Imogene Coca, Van Johnson, Irwin Corey, Alice Pearce, Ronny Graham,theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.