On stage 11 productions, 24 years
| 1951 | The King and I St. James Theatre · Original · directed by John van Druten | 1,246 perf. |
| 1958 | Flower Drum Song St. James Theatre · Original · directed by Gene Kelly | 600 perf. |
| 1962 | Bravo Giovanni Broadhurst Theatre · Original · directed by Stanley Prager | 76 perf. |
| 1962 | Mr. President St. James Theatre · Original · directed by Joshua Logan | 265 perf. |
| 1963 | Here’s Love Shubert Theatre · Original · directed by Stuart Ostrow | 334 perf. |
| 1964 | Golden Boy Majestic Theatre · Revival · directed by Arthur Penn | 569 perf. |
| 1966 | A Joyful Noise Mark Hellinger Theatre · Original · directed by Michael Bennett | 12 perf. |
| 1967 | Henry, Sweet Henry Palace Theatre · Original · directed by George Roy Hill | 80 perf. |
| 1968 | Promises, Promises Shubert Theatre · Original · directed by Robert Moore | 1,281 perf. |
| 1973 | Seesaw Theatre not recorded · Original · directed by Michael Bennett | 296 perf. |
| 1975 | A Chorus Line Shubert Theatre · Original · directed by Michael Bennett | 6,137 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Scott Pearson | 3 productions |
| Paul Charles | 3 productions |
| Chris Bocchino | 3 productions |
| Barbara Monte Britton | 3 productions |
| Yuriko | 2 productions |
| Winston Dewitt Hemsley | 2 productions |
| Tommy Tune | 2 productions |
| Thomas J Walsh | 2 productions |
| Terry Violino | 2 productions |
| Terrin Miles | 2 productions |
| Shellie Farrell | 2 productions |
| Priscilla Lopez | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- “But,” says dancer Baayork Lee, “giving Michael what he wanted was very hard. Every step he ever saw was in that show. He had us do so much clog dancing that we got shin splints, and we couldn’t move our thighs because he was having us dance so close to the ground.”ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- Although Baayork Lee had been a dancer in four Bennett shows, he didn’t invite her to the taping sessions. “I wasn’t counting on being in his new show, so I auditioned for Bob Fosse for Chicago, ” she recalls. “When I got home that day, the phone was ringing. It was Michael, who said, ‘I heard you were at the Fosse auditions. You start re…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- Cast: Kelly Bishop, Pamela Blair, Wayne Cilento, Kay Cole, Patricia Garland, Baayork Lee, Priscilla Lopez, Robert LuPone, Donna McKechnie, Michel Stuart, Thommie Walsh, Sammy Williamsebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Viagas, Robert, and Baayork Lee and Thommie Walsh. On the Line: The Creation of “A Chorus Line” . New York: Morrow, 1990.ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
- 4. For more on the original session, see Robert Viagas, Baayork Lee, and Thommie Walsh, On the Line: The Creation of “A Chorus Line” (New York: William Morrow, 1990).ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
- Viagas, Robert, Baayork Lee, and Thommie Walsh. On the Line: The Creation of “A Chorus Line.” New York: William Morrow, 1990.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — choreographer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.