On stage 22 productions, 30 years
| 1914 | H.M.S. Pinafore Hippodrome Theatre · Revival · directed by William J. Wilson | 77 perf. |
| 1918 | The Bohemian Girl Park Theatre · Revival | |
| 1918 | The Mikado Park Theatre · Revival · directed by Charles H. Jones | |
| 1921 | Blossom Time Ambassador Theatre · Original · directed by J. C. Huffman | 516 perf. |
| 1925 | Princess Ida Shubert Theatre · Revival · directed by Edward Royce | 40 perf. |
| 1928 | Houseboat on the Styx Liberty Theatre · Original · directed by Oscar Eagle | 103 perf. |
| 1935 | The Gondoliers Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
| 1935 | The Mikado Adelphi Theatre · Revival · directed by R.H. Burnside | 16 perf. |
| 1935 | The Pirates Of Penzance Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
| 1935 | The Yeomen of the Guard Adelphi Theatre · Revival | 12 perf. |
| 1935 | Trial by Jury & H.M.S. Pinafore Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
| 1942 | H.M.S. Pinafore / The Green Table St James Theatre · Revival · directed by R.H. Burnside | 18 perf. |
| 1942 | The Gondoliers St James Theatre · Revival | 3 perf. |
| 1942 | The Mikado / The Big City / A Ball in Old Vienna St James Theatre · Revival · directed by R.H. Burnside | 19 perf. |
| 1942 | The Pirates of Penzance / The Prodigal Son St James Theatre · Revival · directed by R.H. Burnside | 11 perf. |
| 1942 | Trial by Jury St James Theatre · Revival · directed by R.H. Burnside | 7 perf. |
| 1944 | Cox and Box / The Pirates of Penzance Ambassador Theatre · Revival · directed by R.H. Burnside | 8 perf. |
| 1944 | Patience Ambassador Theatre · Revival · directed by R.H. Burnside | 4 perf. |
| 1944 | Ruddigore Ambassador Theatre · Revival · directed by R.H. Burnside | 3 perf. |
| 1944 | The Mikado Ambassador Theatre · Revival · directed by R.H. Burnside | 6 perf. |
| 1944 | The Yeomen of the Guard Ambassador Theatre · Revival · directed by R.H. Burnside | 1 perf. |
| 1944 | Trial by Jury & H.M.S. Pinafore Ambassador Theatre · Revival · directed by R.H. Burnside | 7 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Robert Pitkin | 11 productions |
| Florenz Ames | 11 productions |
| Kathleen Roche | 10 productions |
| Marie Valdez | 9 productions |
| William Danforth | 7 productions |
| Vera Muller | 6 productions |
| Mary Lundon | 6 productions |
| Howard Marsh | 6 productions |
| Herbert Waterous | 6 productions |
| Catherine Judah | 6 productions |
| William Venturo | 5 productions |
| Walter George | 5 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature1 passages
- Return of Peter Grimm,” Frances Starr in “The Easiest Way,” William Faversham in “The Squaw Man” and Wilton Lackaye and Charlotte Walker in “Trilby.” “Blossom Time” was destined to prove the most durable of the year’s musical productions with Bertram Peacock and Olga Cook heading the original cast. Ed Wynn was in “The Perfect Fool” and Al…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.