On stage 23 productions, 54 years
| 1931 | The Barretts of Wimpole Street Empire Theatre · Original · directed by Guthrie McClintic | 370 perf. |
| 1932 | Lucrece Belasco Theatre · Original · directed by Guthrie McClintic | 31 perf. |
| 1933 | A Party Playhouse Theatre · Original · directed by Anthony John | 45 perf. |
| 1934 | Romeo and Juliet Martin Beck Theatre · Revival · directed by Guthrie McClintic | 77 perf. |
| 1935 | Flowers of the Forest Martin Beck Theatre · Original · directed by Auriol Lee | 40 perf. |
| 1935 | Pride and Prejudice Music Box Theatre · Original · directed by Robert B. Sinclair | 219 perf. |
| 1935 | The Barretts of Wimpole Street Martin Beck Theatre · Revival · directed by Guthrie McClintic | 24 perf. |
| 1938 | Heartbreak House Mercury Theatre · Revival | 48 perf. |
| 1939 | One For the Money Booth Theatre · Original · directed by John Murray Anderson | 132 perf. |
| 1940 | Two For The Show Booth Theatre · Original · directed by John Murray Anderson | 124 perf. |
| 1942 | The Morning Star Morosco Theatre · Original · directed by Stewart Chaney | 24 perf. |
| 1942 | Yesterday's Magic Guild Theatre · Original · directed by Reginald Denham | 55 perf. |
| 1944 | Suds in Your Eye Cort Theatre · Original | 37 perf. |
| 1945 | The Barretts of Wimpole Street Ethel Barrymore Theatre · Revival · directed by Guthrie McClintic | 88 perf. |
| 1946 | Three to Make Ready Adelphi Theatre · Original · directed by John Murray Anderson | 327 perf. |
| 1950 | Ring Round the Moon Martin Beck Theatre · Original · directed by Ted Cappy | 68 perf. |
| 1954 | Quadrille Coronet Theatre · Original · directed by Alfred Lunt | 150 perf. |
| 1956 | The Reluctant Debutante Henry Millers Theatre · Original · directed by Cyril Ritchard | 134 perf. |
| 1966 | The Loves of Cass McGuire Helen Hayes Theatre · Original · directed by Hilton Edwards | 20 perf. |
| 1968 | Darling of the Day George Abbott Theatre · Original · directed by Steven Vinaver | 31 perf. |
| 1975 | The Constant Wife Shubert Theatre · Revival · directed by John Gielgud | 32 perf. |
| 1976 | My Fair Lady St James Theatre · Revival · directed by Jerry Adler | 377 perf. |
| 1985 | Aren't We All? Brooks Atkinson Theatre · Revival · directed by Clifford Williams | 93 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Brian Aherne | 6 productions |
| Charles Waldron | 5 productions |
| Margalo Gillmore | 3 productions |
| Joyce Carey | 3 productions |
| John Emery | 3 productions |
| Flush | 3 productions |
| Alfred Drake | 3 productions |
| William Archibald | 2 productions |
| Vincent Price | 2 productions |
| Sylvia O Brien | 2 productions |
| Robert Smith | 2 productions |
| Robert Champlain | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.