On stage 38 productions, 43 years
| 1918 | April Punch And Judy Theatre · Original · directed by Oscar Eagle | 31 perf. |
| 1918 | Her Honor, the Mayor Fulton Theatre · Original · directed by George Henry Trader | 16 perf. |
| 1919 | The Famous Mrs. Fair Henry Millers Theatre · Original | 183 perf. |
| 1919 | Up from Nowhere Comedy Theatre · Original | 40 perf. |
| 1921 | Alias Jimmy Valentine Gaiety Theatre · Revival · directed by Hugh Ford | 46 perf. |
| 1921 | The Straw Greenwich Village Theatre · Original | 20 perf. |
| 1922 | He Who Gets Slapped Garrick Theatre · Original · directed by Robert Milton | 308 perf. |
| 1922 | The Romantic Age Comedy Theatre · Original | 31 perf. |
| 1923 | As You Like It 48th Street Theatre · Revival | 8 perf. |
| 1923 | Scaramouche Morosco Theatre · Original | 61 perf. |
| 1924 | Hedda Gabler 48th Street Theatre · Revival · directed by Robert Edmond Jones | 8 perf. |
| 1924 | Outward Bound Ritz Theatre · Original | 144 perf. |
| 1924 | The Far Cry Cort Theatre · Original | 31 perf. |
| 1924 | The Habitual Husband 48th Street Theatre · Original · directed by Dudley Digges | 12 perf. |
| 1925 | The Green Hat Broadhurst Theatre · Original · directed by Guthrie McClintic | 231 perf. |
| 1926 | Juarez and Maximilian Guild Theatre · Original · directed by Philip Moeller | 48 perf. |
| 1926 | Little Eyolf Guild Theatre · Revival | 8 perf. |
| 1926 | Ned McCobb's Daughter John Golden Theatre · Original · directed by Philip Moeller | 156 perf. |
| 1926 | The Silver Cord John Golden Theatre · Original · directed by John Cromwell | 112 perf. |
| 1927 | The Doctor's Dilemma Guild Theatre · Revival · directed by Dudley Digges | 115 perf. |
| 1927 | The Second Man Guild Theatre · Original | 178 perf. |
| 1928 | Marco Millions Guild Theatre · Original · directed by Rouben Mamoulian | 92 perf. |
| 1928 | Volpone Guild Theatre · Original · directed by Philip Moeller | 46 perf. |
| 1929 | Berkeley Square Lyceum Theatre · Original | 229 perf. |
| 1929 | Man's Estate Biltmore Theatre · Original · directed by Dudley Digges | 48 perf. |
| 1930 | The Little Father of the Wilderness Empire Theatre · Revival | 8 perf. |
| 1931 | The Barretts of Wimpole Street Empire Theatre · Original · directed by Guthrie McClintic | 370 perf. |
| 1933 | The Dark Tower Morosco Theatre · Original | 57 perf. |
| 1934 | Valley Forge Guild Theatre · Original · directed by Herbert J. Biberman | 58 perf. |
| 1935 | Flowers of the Forest Martin Beck Theatre · Original · directed by Auriol Lee | 40 perf. |
| 1935 | The Barretts of Wimpole Street Martin Beck Theatre · Revival · directed by Guthrie McClintic | 24 perf. |
| 1936 | The Women Ethel Barrymore Theatre · Original · directed by Robert B. Sinclair | 657 perf. |
| 1943 | Outrageous Fortune 48th Street Theatre · Original | 77 perf. |
| 1945 | State of the Union Hudson Theatre · Original · directed by Bretaigne Windust | 765 perf. |
| 1953 | Kind Sir Alvin Theatre · Original | 166 perf. |
| 1954 | Peter Pan Winter Garden · Revival · directed by Jerome Robbins | 152 perf. |
| 1955 | The Diary of Anne Frank Cort Theatre · Original · directed by Garson Kanin | 717 perf. |
| 1961 | Sail Away! Broadhurst · Original · directed by Noel Coward | 167 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Alfred Lunt | 7 productions |
| Philip Leigh | 6 productions |
| Morris Carnovsky | 5 productions |
| Earle Larimore | 5 productions |
| Dudley Digges | 5 productions |
| Sanford Meisner | 4 productions |
| Henry Travers | 4 productions |
| Ernest Cossart | 4 productions |
| Clare Eames | 4 productions |
| Charles Romano | 4 productions |
| Philip Loeb | 3 productions |
| Louis Veda | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast : Kathy Nolan (Wendy, Jane), Robert Harrington (John), Heller Halliday (Liza), Joseph Stafford (Michael), Norman Shelly (Nana, Crocodile), Margalo Gillmore (Mrs. Darling), Cyril Ritchard (Mr. Darling, Captain Hook); Mary Martin (Peter Pan), Richard Wyatt (Lion), Don Lurio (Kangaroo), Joan Tewkesbury (Ostrich), David Bean (Slightly),…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Mary Martin, Cyril Ritchard, Kathy Nolan, Margalo Gillmore, Joe E. Marks, Sondra Lee, Joseph Stafford, Robert Harringtonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Finally, in 1960, NBC brought everyone into the studio a third time, with Lynn Fontanne as narrator and Margalo Gillmore as Mrs. Darling, and this time preserved the performance on tape. This version was rebroadcast in 1963, 1966, and 1973 but then was apparently lost. Rediscovered and remastered in the late 1980s. This version is availab…ebooks/Viagas, Robert/I'm the Greatest Star_ Broadway's Top Musical Legends from 1900 to Today - Robert Viagas.txt
- Pauline Lord in “Night Lodging” and Frank McGlynn in “Abraham Lincoln.” Blanche Bates, Margalo Gillmore and Henry Miller were in “The Famous Mrs. Fair,” Janet Beecher, Lowell Sherman and Gail Kane in “The Woman in Room 13,” Doris Kenyon, Charles Ruggles, John Cumberland and Zelda Sears in “The Girl in the Limousine,” Thurston Hall, Glenn…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- GREY, HELEN MacKELLAR, FRANCINE LARRIMORE, HERNE, MARGALO GILLMORE, BLANCHE RING.theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- EUGENE POWERS, BERYL MERCER, CHARLOTTE GRANVILLE, LYONEL WATTS, ALFRED LUNT, LESLIE HOWARD, MARGALO GILLMORE in “OUTWARD BOUND”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.