Catherine Littlefield

On stage 2 productions, 1 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on3 works

Follow The Girls
Sweethearts
The Firebrand of Florence

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

• staged by Catherine Littlefield. Orchestra under the direction of Maurice Abravanel. Orchestrations by Kurt Weill and Ted Royal. Cast, starring Earl Wrightson (Cellini), Beverly Tyler (Angela), Melville Cooper (Duke), featured Lotte Lenya (Duchess), Randolph Symonette (Hangman), Gloria Story (Emilia), Paul Best (Marquis), Ferdi Hoffman (O…theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
• entangled in the difficulties of the mise en scéne. Catherine Littlefield’s successtheatre-pdfs/sim_theatre-arts_1941-01_25_1.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.