Dania Krupska

On stage 4 productions, 10 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once5 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on5 works

Gentlemen Prefer Blondes
Out of This World
Rex
Seventeen
The Most Happy Fella

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Direction : Staging by Hassard Short and book direction by Richard Whorf; Producers : Milton Berle, Sammy Lambert, and Bernie Foyer; Choreography : Dania Krupska; Scenery : Stewart Chaney; Lighting : Hassard Short; Costumes : David Ffolkes; Musical Direction : Vincent Traversebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Cast : David Collyer (Bailiff), Michael Cavallaro (Registrar, Doctor), Joe Cusanelli (Policeman, Café Customer), Jon Silo (Policeman), Arthur Rubin (Policeman, Second), Ralph Beaumont (Policeman), Michael DeMarco (Policeman), Socrates Birsky (Policeman), C. K. Alexander (Judge Paul Barriere), David Thomas (Court President Henri Marceaux,…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Direction : Joseph Anthony; Producers : Kermit Bloomgarden and Lynn Loesser; Choreography : Dania Krupska; Scenery and Lighting : Jo Mielziner; Costumes : Motley; Musical Direction : Hebert Greeneebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Direction : H. C. Potter; Producers : Lynn Loesser and Shamus Locke; Choreography : Dania Krupska; Scenery : Oliver Smith; Costumes ; Miles White; Lighting : Peggy Clark; Musical Direction : Samuel Krachmalnickebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Direction : Dania Krupska; Producer : The New York City Center Light Opera Company (Jean Dalrymple, Director); Choreography : Dania Krupska (Krupska’s original choreography restaged by Arthur F. Partington); Scenery and Lighting : Jo Mielziner; Costumes : Ruth Morley; Musical Direction : Abba Boginebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Cast: Lilo, Peter Cookson, Hans Conried, Gwen Verdon, Erik Rhodes, Dania Krupska, Phil Leeds, DeeDee Woodebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — actor, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.