Also credited on11 works
Irene
Leave It to Jane
Oh, Boy!
Oh, Lady! Lady!
Rock-a-Bye Baby
Sally
She’s A Good Fellow
She’s My Baby
The Canary
The Century Girl
Ziegfeld Follies
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- The director-choreographer is actually an old hand at the musical. Two such, Julian Mitchell and Edward Royce, were already at work at the turn of the century. But their choreography was of a standard cut, a series of hoofing "combinations" replicated from show to show. Much later, George Balanchine, Charles Weidman, and Agnes de Mille re…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.