On stage 21 productions, 30 years
| 1912 | Hanky Panky Broadway Theatre · Original · directed by Gus Sohlke | 104 perf. |
| 1913 | The Pleasure Seekers Winter Garden Theatre · Original · directed by William J. Wilson | 72 perf. |
| 1914 | Hello, Broadway! Astor Theatre · Original · directed by James Gorman | 123 perf. |
| 1916 | The Cohan Revue of 1916 Astor Theatre · Original | 165 perf. |
| 1916 | The Passing Show of 1916 Winter Garden Theatre · Original · directed by Jacob J. Shubert | 140 perf. |
| 1917 | Parlor, Bedroom and Bath Theatre Republic · Original | 232 perf. |
| 1920 | Breakfast in Bed Eltinge 42nd Street Theatre · Original | 75 perf. |
| 1920 | The Century Revue Century Promenade · Original · directed by Lew Morton | 150 perf. |
| 1920 | The Midnight Rounders of 1920 Century Promenade · Original · directed by Lew Morton | 120 perf. |
| 1921 | Music Box Revue [1921] Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1921 | Music Box Revue Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1921 | Tangerine Casino Theatre · Original · directed by George Marion | 361 perf. |
| 1921 | The Midnight Rounders of 1921 Century Promenade · Original · directed by Jack Mason | 49 perf. |
| 1921 | The Whirl of New York Winter Garden Theatre · Revival · directed by Lew Morton | 124 perf. |
| 1923 | Music Box Revue [1923] Music Box Theatre · Original · directed by Hassard Short | 273 perf. |
| 1925 | The Greenwich Village Follies [1925] Chanins 46th Street Theatre · Original · directed by Hassard Short | 180 perf. |
| 1926 | She Couldn't Say No Booth Theatre · Original · directed by Rollo Lloyd | 71 perf. |
| 1927 | Artists and Models [1927] Winter Garden Theatre · Original · directed by J. C. Huffman | 151 perf. |
| 1930 | The International Revue Majestic Theatre · Original · directed by E.C. Lilley | 95 perf. |
| 1932 | Cradle Snatchers Liberty Theatre · Revival | 6 perf. |
| 1942 | Wine, Women and Song Ambassador Theatre · Original · directed by Truly McGee | 150 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Grace Langdon | 5 productions |
| Hugh Cameron | 4 productions |
| Viola Bennett | 3 productions |
| Tot Qualters | 3 productions |
| Sally Long | 3 productions |
| Mildred Soper | 3 productions |
| Joseph Santley | 3 productions |
| John Lowe | 3 productions |
| Jessica Brown | 3 productions |
| Jean Troupman | 3 productions |
| Ivy Sawyer | 3 productions |
| Florence Darling | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature3 passages
- Indeed, the 1921 Music Box Revue had already placed that fad at the core of its sketch material in scenes featuring Florence Moore, a comedienne well known for her flair for bedroom farce. In the 1917–18 season, Moore had appeared in a popular play titled Parlor, Bedroom, and Bath , and in the 1921 Music Box Revue she starred in two sketc…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- HUGH CAMERON, SALLY DALY, WM. MONTGOMERY, MYRTLE GILBERT, MAX ROGERS, DOROTHY JARDON, BOBBY NORTH, FLORENCE MOORE, HARRY COOPER, VIRGINIA EVANS, GEORGE WHITE, FLO MAY in “THE PLEASURE SEEKERS”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Ferguson in “Sacred and Profane Love,” Florence Moore in “Breakfast in Bed,” Madge Kennedy in “Cornered,” Harry Beresford in “Shavings,” Alice Brady with Rod La Roque in “Anna Ascends,” Mary Young in “The Outrageous Mrs. Palmer,” Emily Stevens in “Footloose,” Minnie Dupree in “The Charm School” and Patricia Collinge in “Just Suppose” with…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.