On stage 17 productions, 22 years
| 1910 | A Matinee Idol Dalys Theatre · Original | 76 perf. |
| 1910 | Judy Forgot Broadway Theatre · Original · directed by Lewis Morton | 44 perf. |
| 1911 | The Never Homes Broadway Theatre · Original · directed by J. C. Huffman | 92 perf. |
| 1912 | The Woman Haters Astor Theatre · Original · directed by George Marion | 32 perf. |
| 1913 | All Aboard 44th Street Roof Theatre · Original · directed by Mark Swan | 108 perf. |
| 1915 | Stop! Look! Listen! Theatre not recorded · Original · directed by R. H. Burnside | 105 perf. |
| 1916 | A Pair of Queens Longacre Theatre · Original | 15 perf. |
| 1916 | Betty Globe Theatre · Original · directed by Edward Royce | 63 perf. |
| 1918 | Oh, My Dear! Princess Theatre · Original · directed by Robert Milton | 189 perf. |
| 1919 | She’s A Good Fellow Globe Theatre · Original · directed by Fred G. Latham, Edward Royce | 120 perf. |
| 1920 | The Half Moon Liberty Theatre · Original · directed by Fred G. Latham | 48 perf. |
| 1921 | Music Box Revue [1921] Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1921 | Music Box Revue Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1923 | Music Box Revue [1923] Music Box Theatre · Original · directed by Hassard Short | 273 perf. |
| 1926 | The Wild Rose Martin Beck Theatre · Revival · directed by William J. Wilson | 61 perf. |
| 1927 | Lucky New Amsterdam Theatre · Original · directed by Hassard Short | 71 perf. |
| 1932 | Heigh-Ho, Everybody Fulton Theatre · Original | 5 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Ivy Sawyer | 8 productions |
| Hugh Cameron | 3 productions |
| Florence Moore | 3 productions |
| Bessie Cottrell | 3 productions |
| William Collier | 2 productions |
| Wilda Bennett | 2 productions |
| The Brox Sisters | 2 productions |
| Sam Bernard | 2 productions |
| Phyllis Munday | 2 productions |
| Pauline Hall | 2 productions |
| Paul Frawley | 2 productions |
| Olin Howland | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature7 passages
- A key figure in the “Dining Out” scene was Joseph Santley, a romantic leading man with matinee-idol looks (which we know not just from photographs but from the fact that he had starred in a 1910 musical comedy called The Matinee Idol ). Berlin knew him from his leading role in Stop! Look! Listen! as Van Cortland Parke, the benefactor and…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- Eva Davenport; “The Never Homes” with George W. Monroe, Joseph Santley and Helen Hayes; Fritzi Scheff in “The Duchess;” “Gypsy Love” with Marguerite Sylva; Kitty Gordon in “The Enchantress;’”Raymond Hitchcock in “The Red Widow;” “Little Boy Blue” with Gertrude Bryan, Otis Harlan and Maude Odell; Grace LaRue in “Betsy;” and “The Wedding Tr…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Parker; “Ziegfeld Follies of 1913” with Bessie Clayton, Charles King, John Charles Thomas, Charlotte Greenwood, Mollie King and May Boley; Joseph Santley in “When Dreams Come True;” Richard Carle and Hattie Williams in “The Doll Girl;” Bessie Abbott in “Rob Roy;” “Her Little Highness” with Mitzi Hajos; “The Pleasure Seekers” with Florence…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- and Leila Hughes in “A Modern Eve,” Joseph Santley in “All Over Town,” Eleanor Painter with Sam Hardy in “The Princesstheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- “Flora Bella,” Raymond Hitchcock in “Betty” with Joseph Santley and Ivy Sawyer, Charlotte Greenwood in “So Long, Letty,” and “Follow Me” proved to be the final starring vehicle for Anna Held. “Ziegfeld Follies of 1916” boasted a cast including Ina Claire, W. C. Fields, Fannie Brice, Bert Williams, Ann Pennington, Bernard Granville, France…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- MOORE, JOHN STEEL, IVY SAWYER, JOSEPH SANTLEY, GRACE MOORE, singing ‘‘YES, WE HAVE NO BANANAS” in “MUSIC BOX REVUE”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.