On stage 12 productions, 64 years
| 1905 | The Sambo Girl West End Theatre · Original | 16 perf. |
| 1932 | Another Language Booth Theatre · Original | 344 perf. |
| 1933 | The Dark Tower Morosco Theatre · Original | 57 perf. |
| 1934 | The Farmer Takes a Wife 46th Street Theatre · Original | 104 perf. |
| 1943 | Outrageous Fortune 48th Street Theatre · Original | 77 perf. |
| 1948 | The Men We Marry Mansfield Theatre · Original · directed by Martin Manulis | 3 perf. |
| 1952 | Fancy Meeting You Again Royale Theatre · Original | 8 perf. |
| 1956 | Diary of a Scoundrel Phoenix Theatre · Original · directed by Alan Cooke | 25 perf. |
| 1958 | Goldilocks Lunt-Fontanne Theatre · Original · directed by Walter Kerr | 161 perf. |
| 1966 | UTBU Helen Hayes Theatre · Original · directed by Nancy Walker | 7 perf. |
| 1969 | Come Summer Lunt-Fontanne Theatre · Original · directed by Agnes de Mille | 7 perf. |
| 1969 | Our Town Anta Playhouse · Revival · directed by Donald Driver | 36 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once5 names
| Ruth Mcdevitt | 2 productions |
| Margalo Gillmore | 2 productions |
| John Beal | 2 productions |
| Henry Fonda | 2 productions |
| Cathryn Damon | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.