On stage 9 productions, 13 years
| 1911 | Everywoman Herald Square Theatre · Original · directed by George Marion | 189 perf. |
| 1914 | The Only Girl 39th Street Theatre · Original · directed by Fred G. Latham | 240 perf. |
| 1917 | The Riviera Girl New Amsterdam Theatre · Original · directed by Herbert Gresham | 78 perf. |
| 1918 | The Girl Behind the Gun New Amsterdam Theatre · Original · directed by Edgar MacGregor | 160 perf. |
| 1919 | Apple Blossoms Globe Theatre · Original · directed by Fred G. Latham | 256 perf. |
| 1921 | Music Box Revue [1921] Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1921 | Music Box Revue Music Box Theatre · Original · directed by Hassard Short | 440 perf. |
| 1922 | The Lady in Ermine Ambassador Theatre · Original · directed by Charles Sinclair | 238 perf. |
| 1924 | Madame Pompadour Martin Beck Theatre · Original · directed by R.H. Burnside | 80 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once11 names
| Sam Bernard | 2 productions |
| Pauline Hall | 2 productions |
| Paul Frawley | 2 productions |
| Miriam Hopkins | 2 productions |
| Joseph Santley | 2 productions |
| Ivy Sawyer | 2 productions |
| Florence Moore | 2 productions |
| Florence Delmar | 2 productions |
| Elaine Palmer | 2 productions |
| Detmar Poppen | 2 productions |
| Chester Hale | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature3 passages
- The scene was performed as a duet by the young operetta star Wilda Bennett, as “The Girl,” and the musical comedy singer Paul Frawley, as “The Man,” each of whom sang a full verse and chorus before exchanging phrases in conversational give-and-take. That Berlin cast an operetta singer to introduce the song gives us a clue about his musica…ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- LILLIAN GISH, WILDA BENNETT, CLAIRE BURKE, MARY PICKFORD, REGINA WALLACE,.GEORGIA FURSMAN, EDNA GRIFFIN in “THE GOOD LITTLE DEVIL’theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Beatrice Lillie. Many other musical shows were presented during the year, and the quality was high. The Duncan Sisters appeared in “Topsy and Eva,” Wilda Bennett in “Mme. Pompadour,” the Marx Brothers in “I'll Say She Is,” Fred and Adele Astaire in “Lady, Be Good,” Ed Wynn in “The Grab Bag” and Eleanor Painter in “The Chiffon Girl.”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.