On stage 31 productions, 36 years
| 1916 | If I Were King Shubert Theatre · Revival | 33 perf. |
| 1916 | Object - Matrimony Cohan And Harris · Original | 30 perf. |
| 1921 | The Wife With the Smile and Bourbouroche Garrick Theatre · Original · directed by Frank Reicher | 41 perf. |
| 1922 | He Who Gets Slapped Garrick Theatre · Original · directed by Robert Milton | 308 perf. |
| 1923 | The Failures Garrick Theatre · Original | 40 perf. |
| 1925 | Garrick Gaieties Garrick Theatre · Original · directed by Philip Loeb | 211 perf. |
| 1925 | Merchants of Glory Guild Theatre · Original | 42 perf. |
| 1925 | Processional Garrick Theatre · Original | 90 perf. |
| 1926 | Garrick Gaieties Guild Theatre · Revival | 174 perf. |
| 1926 | Juarez and Maximilian Guild Theatre · Original · directed by Philip Moeller | 48 perf. |
| 1926 | Ned McCobb's Daughter John Golden Theatre · Original · directed by Philip Moeller | 156 perf. |
| 1926 | The Goat Song Guild Theatre · Original · directed by Jacob Ben-Ami | 58 perf. |
| 1927 | Merry-Go-Round Klaw Theatre · Original · directed by Allan Dinehart | 135 perf. |
| 1927 | Right You Are If You Think You Are Guild Theatre · Original · directed by Philip Moeller | 48 perf. |
| 1927 | The Brothers Karamazov Guild Theatre · Original · directed by Philip Moeller | 56 perf. |
| 1928 | Chee-Chee Mansfield Theatre · Original · directed by Alexander Leftwich | 31 perf. |
| 1929 | June Moon Broadhurst Theatre · Original | 273 perf. |
| 1931 | The Band Wagon New Amsterdam Theatre · Original · directed by Hassard Short | 260 perf. |
| 1932 | Flying Colors Imperial Theatre · Original · directed by Howard Dietz | 188 perf. |
| 1933 | Let ‘Em Eat Cake Imperial Theatre · Original · directed by George S. Kaufman | 90 perf. |
| 1937 | Room Service Cort Theatre · Original | 500 perf. |
| 1938 | Sing Out the News Music Box Theatre · Original · directed by Ned McGurn | 105 perf. |
| 1940 | Heavenly Express National Theatre · Original · directed by Robert Lewis | 20 perf. |
| 1940 | Night Music Broadhurst Theatre · Original · directed by Harold Clurman | 20 perf. |
| 1942 | Sweet Charity Mansfield Theatre · Original · directed by George Abbott | 8 perf. |
| 1944 | Over 21 Music Box Theatre · Original · directed by George S. Kaufman | 221 perf. |
| 1945 | Common Ground Fulton Theatre · Original · directed by Jerome Robbins | 69 perf. |
| 1946 | Wonderful Journey Coronet Theatre · Original · directed by Frank Emmons Brown | 9 perf. |
| 1948 | Me and Molly Belasco Theatre · Original · directed by Ezra Stone | 156 perf. |
| 1951 | The Wild Duck City Center · Revival · directed by Morton DaCosta | 15 perf. |
| 1952 | Time Out for Ginger Lyceum Theatre · Original | 248 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Morris Carnovsky | 6 productions |
| Philip Leigh | 5 productions |
| Helen Westley | 5 productions |
| Edward G Robinson | 5 productions |
| Sanford Meisner | 4 productions |
| Henry Travers | 4 productions |
| Alfred Lunt | 4 productions |
| Sterling Holloway | 3 productions |
| Margalo Gillmore | 3 productions |
| Felix Jacoves | 3 productions |
| Erskine Sanford | 3 productions |
| Dudley Digges | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Sterling Holloway, Romney Brent, Betty Starbuck, Libby Holman, June Cochrane, Edith Meiser, Philip Loeb, Sanford Meisner, Lee Strasbergebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Fred & Adele Astaire, Frank Morgan, Helen Broderick, Tilly Losch, Philip Loeb, John Barkerebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Clifton Webb, Charles Butterworth, Tamara Geva, Patsy Kelly, Philip Loeb, Vilma & Buddy Ebsen, Larry Adler, Imogene Coca, Monette Mooreebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Square’’). “Union Square” was introduced by ensemble. “Down With Everyone Who’s Up” was introduced by Philip Loeb (Kruger) and ensemble.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- ard Temple (Tweedledee), Grace Worth (Trixie), William Gaxton (Wintergreen), George Kirk (Lieutenant), Lois Moran (Mary), Philip Loeb (Kruger), and ensemble. Alternate title for “I’ve Brushed My Teeth”: “What More Can a General Do.” Alternate title for “All the Mothers of the Nation”: ““Mothers of the Nation.”” The title number was publis…theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- Mostly spoken dialogue over underscoring. Introduced by Lois Moran (Mary), Grace Worth (Trixie), Philip Loeb (Kruger), and entire company. Trixie’s “Down with Kruger...” line, and those following, are set to thetheatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.